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In Stone That Cannot Crumble

By Leona Smith Kremser

Vol. 23 · No. 1July - 1988pp. 17–18English

Summary

This short poetic piece evokes the venerable tradition of the twenty‑four Jinas (Tirthankaras) by describing them seated in a curve of temple stone. The poem names the first Tirthankara, Rsabha, who taught agriculture to the people, and alludes to his successors whose names and states of purity are venerated in the Jain tradition. The final figure is Mahavira, older contemporary of the Buddha, who transformed the four vows of earlier ascetics into the five ethical injunctions known as the Five Jewels: harmlessness, truth, honesty, chastity and charity. These living jewels are embodied daily in the conduct of Jain practitioners and symbolise the core virtues of the non‑violent Jaina religion. The narrative then focuses on the story of Aristanemi, the future twenty‑second Tirthankara, whose wedding procession was interrupted by the cries of animals destined for slaughter. Moved by compassion, the prince renounced his worldly life, cast his ancestral jewels into the dust and undertook severe asceticism. His awakening led him to pledge lifelong kindness to all living beings. Through this episode, the poem illustrates how awareness of the suffering of “food‑animals” can inspire profound spiritual transformation. The prince’s holy word becomes a personal vow to cherish the souls of even the most vulnerable creatures. The latter part of the poem presents a lyrical discourse in which the Tirthankara addresses humans and animals directly. He reminds his listeners that every living thing has its own soul and that our souls were once pure joy. Liberation is possible when one relinquishes bodily attachment and gains insight into the soul’s eternal nature. The speaker promises that those who follow the path of compassion will perceive their eternal soul at death, and he offers hope to animals that gentle persons will arise to champion a bloodless diet and the highest religion of harmlessness. The poem closes with an affirmation that the truth embodied by the Jina is “in stone that cannot crumble”: a timeless, indestructible ethical message. This phrase suggests that the ideals of non‑violence and compassion are carved into the very fabric of Jain culture and will endure as long as devotees continue to live by them. Through vivid imagery and moral exhortation, the piece celebrates the Jinas’ example and urges readers to embrace harmlessness, truth and charity as living principles.

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Conclusion

By intertwining historical reverence with emotive narrative, the poem illustrates that the ethical vision of Jainism is both ancient and timeless. The compassionate renunciation of Aristanemi serves as a model for all practitioners, reminding readers that awakening begins with empathy for other beings. The closing lines highlight that every soul can return to pure joy through detachment and non‑violence, and that the highest religion consists of harmlessness and truth. Ultimately, the poem proclaims that Jain values are “in stone that cannot crumble,” signifying their enduring, transformative power.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “In a curve of temple stone, Anciently, sit the twenty-four images, Jinas of the non-violent Jaina religion.”
  • “‘Every living thing has its own soul. Ye have your own soul. A time ago, your soul was pure joy.”
  • “O joy joy O! His pledge To ye at His feet : Your first after-death eye Shall bring to sight your own eternal soul.”

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