Articles discussing Rsabhanatha
A Note on Jaina Sculptural Remains at Sitalpur, Bhangra, Harup and Deoli Villages in Purulia District
Atul Chandra Bhowmick · Jain Journal A Quarterly on Jainology, 1983
“The image of Rsabhanatha (fig. 1) is set in the northern wall of the Siva temple, situated at the southern side of the Sitalpur village and is carved in chlorite-schist.”
A Unique Image of Rsabhanatha in the State Museum, Lucknow
Maruti Nandan Prasad Tiwari · Jain Journal A Quarterly on Jainology, 1981
“The Rsabhanatha image following a homogenous formula of Jina representation, in effect also elsewhere during the early mediaeval period and onwards, represents a fully developed stage of representing Jina iconographically with the full cortege of the accessory symbols and figures of the Yakga- Yaky? pairs.”
Two Jaina Sculptures from Bhairavasinghapur
Umakanta Subuddhi · Jain Journal A Quarterly on Jainology, 1982
“Two Jaina sculptures, a seated image of Lord Rsabhanatha and a Caturviratipatta relief of Rsabhanatha, are noticed by the present author in Bhairavasinghapur village”
Pakbirra Sculptures – Part 2: Stylistic Analysis and Conclusions
The Story of Bharata and Bahubali (Part 2)
Paresh Chandra Dasgupta · Jain Journal A Quarterly on Jainology, 1981
A Brief Survey Of The Iconographic Data At Kumbharia
Maruti Nandan Prasad Tiwari · Sambodhi, 1973
Gommatesvara-Bahubali, the Great Saint
Umakant Premanand Shah · Jain Journal A Quarterly on Jainology, 1981
Jainism
The Jina Images of Khajuraho with Special Reference to Ajitanatha
Maruti Nandan Prasad Tiwari · Jain Journal A Quarterly on Jainology, 1975
“On the testimony of the statistical study of the Jina images of Khajuraho, it is evident that Ajitanatha was accorded a favoured position who in order of preference is placed after the three most popular Jinas at the site, namely, Rsabhanatha, Parsvanatha and Mahavira, represented respectively by forty-five, eleven and nine images.”
An Unpublished Tri‑Tirthika Jaina Image from Deogarh
Maruti Nandan Prasad Tiwari · Jain Journal A Quarterly on Jainology, 1976
A Caturvimsati Patta of Rsabhanatha from Koraput
Umakanta Subuddhi · Jain Journal A Quarterly on Jainology, 1981
“Among the collections, there is a caturvimsati-patta relief which contains all the twenty four Tirthankaras with Rsabhanatha, the first Tirthankara, as Malanayaka or the main deity.”
Great Women in Jainism
Jaina Sculptures from Bhavanipur, Hatuyara and Golamara
Atul Chandra Bhowmick · Jain Journal A Quarterly on Jainology, 1984
A Unique Door‑Lintel from Khajuraho
Maruti Nandan Prasad Tiwari · Jain Journal A Quarterly on Jainology, 1978
The Images of the Jaina Tirthankara Neminatha at Khajuraho
Maruti Nandan Prasad Tiwari · Jain Journal A Quarterly on Jainology, 1979
Some Jaina Bronzes in the National Museum, New Delhi
Brij Narain Sharma · Jain Journal A Quarterly on Jainology, 1975
“The most important and unique image is that of Adinatha or Rsabhanatha, the first Tirthankara of the Jainas (No. 70.42; ht. 29cms.; pl. 1).”
Gleanings – ‘Jainism’
Radhanath Rath · Jain Journal A Quarterly on Jainology, 1974
On Jainism in Eastern India
Paresh Chandra Dasgupta · Jain Journal A Quarterly on Jainology, 1984
Two Kausaggiyas from Vadnagar
Caumukha a Symbolic Jaina Art