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Art Notes on Sculpture

By Narayan M. Kansara

Vol. 2 · No. 1April 1973pp. 45–51English

Summary

Ornamentation in Temples and Palaces Dhanapala describes richly detailed sculptural elements, such as: • Pillars: e.g. Dantavalabhika, Satakumbha-stambha (hundred-pot pillar), Sphatika-stambha (crystal pillar), Ayatana-stambha. • Toranas (gateways): e.g. Makara-torana, Prakanda-torana. • Platforms and Balustrades: e.g. Rsjata-vedika (silver platform). These illustrate sophisticated temple and palace architecture with rich decoration. ________________________________________ Furnishings in Temples and Palaces Dhanapala also describes luxurious furniture: • Lion-thrones with gold sheets or golden stone. • Jewelled bedsteads, golden saddles, silver mirrors. • Detailed thrones (Asandi, Sukhāsana) with moonstone inlays. These details highlight the royal patronage and lavish artistic sensibility in Jain contexts. ________________________________________ Iconography • Dhanapala gives rich descriptions of Jaina Tirthankara images, especially of Rsabhanatha (first Tirthankara) and Mahavira (last). Rsabha's Image: o Carved from philosopher's stone. o Seated in padmasana posture on a lion-throne with constellation motifs. o Distinct features: long hair with foliage decoration, serene expression, halo, divine attendants. Mahavira's Image: o Carved in diamond-like stone. o Seated on a large golden throne. o With motifs of elephant, lion, and wheel on the throne’s base. • He also notes the Samavasarana/Samavasrti-sala—a cosmic preaching hall motif found in temple art (like Abu's Vimala Vasahi temple): o Features halo, clouds, constellations, Mount Meru with milk ocean imagery. • Mentions subsidiary shrines with other Tirthankara images and even Goddess Sri carved from wood in a royal garden. • Includes small roadside shrines with images of gods as guardians, bracket female figures (shalabhanjika) carved with full breasts for aesthetic appeal. ________________________________________ Yantras (Mechanical Devices) Dhanapala also describes early mechanical contrivances: • Ghana-yantra: A water-wheel with pots on ropes to lift well water (still used in Gujarat). • Candrakara-cakra-dola-yantra: Possibly a rotating carousel-like device. • Vimana-yantra: A wooden “aeroplane” (probably a ceremonial or decorative flying machine model). • Yantra-dhara-grha: A shower-room with walls that spouted water jets for cooling, much like modern cooling towers. These references show the advanced engineering imagination in 10th-century India.

Summary reviewed by a volunteer editor.

Conclusion

Dhanapala's descriptions provide a vivid portrait of luxurious Jain architecture, rich in sculptural ornamentation and innovative engineering. His detailed accounts of temple ornamentation, royal furnishings, and iconography reveal the lavishness of Jain religious spaces and royal patronage. Additionally, his mentions of mechanical devices highlight the advanced technological imagination of 10th-century India, blending artistic refinement with engineering ingenuity in both sacred and royal contexts.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Since the pioneering studies by Shri C. Sivaramamurti who has drawn the attention of Indologists, very few scholars have taken note of the data about sculptural art scattered in various Sanskrit classics”
  • “The present study is exclusively devoted to the sculptural data as found in Dhanapala's”

Works cited in this article

  1. Sana's prose romances, viz, the Kadamban and the Harsacantam
  2. Narmadashankar Muljibhai Somptua, Cr. Sltparatnahaia, (Guj) by Narmadashankar Muljibhai Somptua, Dhrangadhra, 1939

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