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Catur Vismatu Jina Stuti

By Madhusudan C. Modi, Amritlal M. Bhojak

Vol. 2 · No. 1April 1973pp. 87–88English

Summary

The document Catur Vimśati Jina Stuti is an edited excerpt from Vardhamāna Sūri’s work Śrī-Riṣabhanātha-Carita (completed in V.S. 1160), composed in Prakrit with certain sections in Apabhraṃśa. This excerpt is a devotional hymn to the twenty-four Jinas, narrated as a prayer offered by Bharata Cakravartin at the holy site of Aṣṭāpada Tīrtha. Key points from the summary: Structure: 24 stanzas dedicated to each Jina (one per Jina). 1 concluding stanza — total 25 stanzas. Stanza 24 contains the poet’s name Vardhamāna (nāmamudrā), as was customary. All stanzas name the Jina they praise, except stanza 22 (missing Nemi’s name, possibly an oversight). Language & Metre: Written in Apabhraṃśa using Raddā metre (a 5-line structure with specific mātrā counts: 15; 11/12+15; 11/12+15; 13+11; 13+11). This metre was often called Vastu in Old Gujarati and functions like a miniature Kadavaka. Historical context: Vardhamāna-Sūri was a disciple of Abhayadeva-Sūri (commentator on the Nine Aṅgas). Composed in Cambay (Khambhāt) during the reign of Caulukya king Siddharāja Jayasiṃha. The work was first copied by his pupil Pārśvacandra-gaṇi. Manuscript history: Survives in palm-leaf manuscripts — notably from Jaisalmer (V.S. 1339) and Patan (V.S. 1289). Patan manuscript considered textually superior. Both catalogued in Indological collections at Ahmedabad and Baroda. Essentially, this piece is a medieval Gujarati Apabhraṃśa literary example — a structured poetic homage to all 24 Jain Tīrthaṅkaras, preserving historical, religious, and linguistic significance.

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Conclusion

The Catur Vimśati Jina Stuti is a significant devotional hymn that honors the 24 Jain Tīrthaṅkaras, blending religious reverence with historical and linguistic richness. Composed in Apabhraṃśa by Vardhamāna Sūri, it offers a poetic tribute to Jainism’s revered figures while also preserving medieval Gujarati literary and cultural values. The hymn’s structure, metrical composition, and manuscript history make it an essential piece of Jain devotional literature.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The piece selected occurs in the concluding part of the work, as a prayer to twenty-four Jinas offered by Bharata-Caknn, at Astapada-Tlrtha.”
  • “Of these portions, we edit here one portion Caturvimsatijinastuti which is in Apabhramsa and in Radda-metre.”
  • “As a matter of fact, the Raddn was called Vastu and Haribhadra himself has hinted at this name in st, 103.”

Works cited in this article

  1. Risahanaha-Cariya by Vardhamsna-Suri
  2. Netninaha-Cariya
  3. Catalogue of Sk. and Pk. Mss Jesalmer Collection p. 98, Serial No. 250, published by L.D. Institute of Indology, Ahmedabad
  4. Pattan Catalogue of Mss. G.O. 'series, Baroda page 350, No. 101

Discussed in this article

People

  • Devacandra 10
  • Madhusudan C. Modi
  • Amntlal M. Bhojak
  • Vardhamsna-Suri
  • Hema-candracgrya
  • Bharata-Caknn
  • Abhayadeva-Surt
  • Psrsvacandra-gaui

Places

  • Astapada-Tlrtha
  • Cambay (Khambbaittha)

Texts & works

  • Sin-Risahanaha-Cana
  • Caturvimsatijinastuti
  • Hanbhadra
  • Santinzha-Cariya

Dynasties, sects & groups

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