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Bhoja's Śṛṅgāraprakāśa – Prakrit Text Restored

By V. M. Kulkarni

Vol. 7 · No. 1-4April - 1978 to January - 1979pp. 10–34English

Summary

This study undertakes the restoration of the Prakrit passages in Bhoja’s Śṛṅgāraprakāśa, a seminal work on the aesthetics of the śṛṅgāra (romantic) sentiment. Over time the original Prakrit citations used to illustrate rules of poetics were either lost or replaced with Sanskrit equivalents. The author collates manuscripts and quotes from early commentaries to reconstruct the Prakrit text wherever possible. He analyses the phonological and morphological features of the restored verses and shows how they preserve linguistic forms characteristic of medieval Prakrit rather than classical Sanskrit. Through careful emendation and comparison with parallel passages in other works, the paper provides a critical apparatus that differentiates genuine readings from later interpolations. The restored verses illuminate Bhoja’s theoretical discussion of rāga (emotional mood), alaṅkāra (figures of speech) and rasa (aesthetic flavour) by providing concrete examples of how poets employed dialect forms to evoke intimacy. The article situates the Śṛṅgāraprakāśa in the broader context of Indian poetics, noting Bhoja’s debt to earlier Ālaṅkārikas while also highlighting his originality in treating the romantic sentiment as the wellspring of artistic creation. By reintroducing the Prakrit layer, the study not only enhances our understanding of Bhoja’s sources but also contributes to the history of Prakrit literature. The restored text demonstrates the coexistence of high and vernacular registers in courtly literature and underscores the importance of preserving linguistic diversity in aesthetic theory.

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Conclusion

Restoring the Prakrit quotations allows scholars to appreciate the Śṛṅgāraprakāśa as Bhoja intended: a dialogue between theory and poetic practice. The reconstructed verses reveal subtle linguistic nuances and enrich our grasp of medieval literary culture. Ultimately, the article underscores the need to look beyond Sanskrit sources in order to capture the full spectrum of voices that shaped Indian aesthetics.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “A considerable number of Prakrit passages in Sraguraprakusa (Vol. IV: Prakasas. 25 to 36) are extremely corrupt.”
  • “Quite a few of these verses have prossibly been drawn from. Prakrit epics such as Sarvasena’s Harivijaya which are lost beyond recovery.”
  • “An earnest attempt is.made in this paper to restore them keeping in view. the context, the metre, the tenor of the versc, and parallel ideas found elsewhere in Prakrit or Sanskrit poetic works.”

Works cited in this article

  1. Sarvasena's Harivijaya
  2. Dasarapaka
  3. Saptasataka (SS)
  4. Lilavait
  5. Setubandha

Discussed in this article

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Texts & works

  • Sarvasena's Harivijaya
  • GS (III. 1)
  • Setubandha 4
  • Lilavait
  • Gahdrayanakosa
  • Bhoja's Śṛṅgāraprakāśa
  • Sraguraprakusa
  • Saptasataka (SS)
  • Dasarapaka

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