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Harappa and Jainism

By Thillaisthanam Natarajan Ramachandran

Vol. 13 · No. 011996pp. 64–71English

Summary

This article explores the possible connections between Jainism and the ancient Harappan (Indus Valley) civilization. T.N. Ramachandran argues that there are substantial philosophical, symbolic, and artistic continuities between Harappan culture and Jain traditions, suggesting that Jainism may have roots in pre-Vedic Indian civilization. Key Points: 1. Pre-Vedic Antiquity of Jainism i) Jainism is viewed not as a reaction to Vedic religion but as an independent, ancient system. ii) Its emphasis on non-violence, asceticism, and metaphysical dualism is posited to be pre-Aryan and potentially older than Vedic Brahmanism. 2. Harappan Artifacts and Jain Symbolism i) Harappan seals and images showing figures in meditative poses, symbols like the svastika, bulls, and serpent motifs, are linked with Jain iconography. ii) The concept of kayotsarga (standing meditation posture), common in Jainism, is visually supported by some Indus figurines. 3. Comparison of Concepts i) The idea of non-theistic spirituality, eternal time, and cyclical cosmology in Jainism aligns more closely with Harappan cultural artifacts than with early Vedic texts. ii) Suggests that Mahavira's teachings were part of a continuous stream of thought that predated Aryan influence. 4. Cultural Continuity and Jain Ethics i) Ramachandran highlights the ethical and spiritual character of Harappan culture—non-violent, nature-revering, and perhaps matriarchal—as spiritually aligned with Jain values. ii) Proposes that Jainism preserved this ancient ethos through its doctrine of ahimsa and monastic discipline. 5. Archaeological Interpretation While definitive archaeological links remain speculative, the article presents a cultural and symbolic reading of Harappan materials in favor of continuity with Jain traditions. 6. Sculptures Two sculptures are studied here. One of them is a frontal sculpture. Archaeological evidence and verses from the Rig Veda suggest and support the interpretation that the sculpture is of Rsabhadeva. Thus, the historicity and antiquity of Jainism can be established here to some degree, although the date cannot be absolutely determined.

Summary reviewed by a volunteer editor.

Conclusion

The article supports the hypothesis that Jainism has very ancient roots, possibly extending back to the Indus Valley Civilization. Through symbolic parallels, shared ethical-spiritual frameworks, and archaeological findings, T.N. Ramachandran argues for recognizing Jainism as a pre-Vedic, indigenous Indian tradition that continued the Harappan legacy of meditative, non-theistic, and ethical culture.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “This physical variety is to continue through the ages as the veritable standard in Indian art for divinities, particularly those which represent creative activity held under control (jitendryia) such as the Jaina tirthankaras or deities deep in penance or meditation.”
  • “It appears to be ithyphalic, lending force to the suggestion that it may represent a prototype of the later day Nataraja, the dancing form of Siva.”
  • “With this analogy in mind let us reassess the Harappan statuette of the young man. Being in exactly the above specified pose, would we be too far off the track in identifying what has been called a god-statue as actually representing a tirthankara or a Jaina ascetic of accredited fame and penance?”

Works cited in this article

  1. Indus Valley Civilization
  2. Cambridge History of India, 1953:66
  3. Cambridge History of India, 1953, pl. XXIII

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