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The Temple of Shola-pua-ma

By D. R. Mankad

Vol. 16 · No. 4December - 1940pp. 838–843English

Summary

Describing a little‑known shrine near Cuttack, this article recounts the history and features of the temple of Shola‑pua‑ma. Once located inside railway premises, the temple was moved to the bank of the Taldanda canal when the old structure was demolished. It now houses broken icons and two large four‑armed statues of Avalokitesvara with inscriptions in Kutila script that repeat Buddhist dharanis, suggesting the shrine’s Buddhist origin. The present deity, represented by smeared stones, receives animal sacrifices from devotees, particularly the South Indian community in Cuttack. The author notes a trilingual (Persian, Tamil and Oriya) inscription from 1841 recording a donation by Subedar Meghraj, possibly a Maratha, and hypothesises that the goddess may be linked to Sholapur Amma of Maharashtra. The article calls for epigraphic study and preservation of the temple’s sculptures.

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Conclusion

The Shola‑pua‑ma temple epitomises layers of religious history: a Buddhist past, a Hindu present, and a likely Maratha connection. Its Avalokitesvara icons deserve scholarly attention, and the goddess’s identity may illuminate patterns of migration and cultural transfer in colonial Odisha.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The temple of Shola-pua-mi stands near the bank of the Taldanda canal at the distance of a stone's throw from the West Hostel of the Ravenshaw College, Cuttack.”
  • “The presence of an image of Padmapani inside the temple leads me to surmise that the temple was originally a Buddhist one and the chief image in it was of a Buddhist deity.”
  • “It is interesting to speculate why the Shola-pua-ma is so much respected by the South Indian population of Cuttack.”

Works cited in this article

  1. Memoirs of the Archeological Survey of India, no. 44 by Rai Bahadur R P. Chanda
  2. The Types of Sanskrit Drama, published by Urmi Prakashan Mandir, Gujaratnagar, Karachi; p, 33-34

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  • Types of Sanskrit Drama
  • Yaen Chwang

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