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On Rishabha’s visit to Takssila

Vol. 6 · No. 1July 1971pp. 8–13English

Summary

This historical essay examines legends and archaeological evidence related to the first Jain Tirthankara, Rishabhanatha, and his reputed visit to Takshashila (Taxila). Drawing on Puranic stories, Jain texts, Chinese pilgrim accounts and excavations, it recounts the legend that, after renouncing his kingdom and dividing his realm among his sons, Rishabha travelled to Taxila to visit his son Bahubali. The author surveys monuments in Gandhara, describing a terracotta seal of a double‑headed eagle from Sirkap and noting that Jain, Buddhist and Brahmanical shrines coexisted there. He argues that Jainism flourished alongside Buddhism during the Indo‑Greek period and that early Jain influences can be found in the architecture and iconography of Taxila. The article summarises scholarly debates over the identification of inscriptions and sculptures and emphasises the need for further excavations to clarify Jainism’s presence. Though the legend contains mythical elements, it symbolises Jainism’s antiquity and its links to the north‑western frontier.

Summary reviewed by a volunteer editor.

Conclusion

While definitive proof of Rishabha’s journey to Taxila remains elusive, the legend illuminates the antiquity of Jain influence in the Gandhara region. Archaeological finds and textual references demonstrate that Jainism coexisted with Buddhism and other faiths in ancient Taxila, pointing to a vibrant pluralism. The story of Rishabha visiting his son Bahubali after renouncing worldly power symbolises the values of detachment and familial harmony.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “In his Studies in Jaina Art (Banaras, 1955) Umakant P. Shah has summed up the story as follows :”
  • “It is said that when Risabha went to Taxila, he reached after dusk; Bahubali (ruling at Taksasila) thought of going to pay his homage next morning and pay due respects along with his big retinue.”
  • “This monument representing the high platform of a stupa is distinguished by pillasters with Corinthian capitals along with ornamental pediments, a laminated caitya arch and the usual toranas with voluted architraves.”

Works cited in this article

  1. Marshall, A Guide to Taxila, Calcutta 1918
  2. Rowland, Benjamin, The Art and Architecture of India, Great Britain, 1959
  3. Bharatiya Vidya Bhavan, History and Culture of the Indian People, Vol. 1
  4. Herzfeild, E., 'A New Asokan Inscription from Taxila' in Epigraphia Indica, Vol. XIX
  5. Jain Journal: Mahavir Jayanti Special, Vol. III, No. 4, April 1969

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