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The Stotra Literature of 0ld India

By Shiva Prasad Bhattacharya

Vol. 1 · No. 2June - 1925pp. 340–360English

Summary

The Stotra Literature of Old India explores the evolution of Vedic religious thought, emphasizing humanity's inherent submission to cosmic forces and the transformation of spiritual expression over time. Initially characterized by pure, emotional devotion, early Vedic literature reflected a rosy, optimistic worldview where poets channeled personal feelings into grand, serene visions. The Rigvedic hymns, composed over centuries, showcased a spectrum of consciousness and were later integrated into ritualistic sacrifices, gradually losing their emotional appeal as intellectuality rose. This shift led to more rigid, formulaic practices, with hymns becoming tools for bargaining with deities rather than heartfelt expressions. The Upanishads introduced philosophical speculation, while later texts like the Ramayana and Mahabharata reasserted devotional and narrative elements, though they could not fully satisfy the growing spiritual yearning of the time. The Puranas ultimately revived old Hindu traditions of feeling and fervor through concrete, symbolic storytelling. The text highlights the tension between intellectual rationalism and emotional devotion, tracing how stotras—once vibrant expressions of cosmic surrender—became stereotyped rituals before being reimagined in later eras.

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Conclusion

The Stotra literature of Old India reveals a profound paradox: human strength emerging from inherent vulnerability, where submission to cosmic forces becomes the foundation of spiritual and cultural evolution. This analysis highlights how early Indian literature, far from primitive, reflects a sophisticated engagement with divine forces through hymns and rituals. The transition from pure emotional devotion to intellectualized practices underscores a logical progression in religious thought, emphasizing adaptability and resilience. The preservation and reinterpretation of hymns in later rituals demonstrate dharma's dynamic role in shaping Hindu traditions. This study not only illuminates the depth of India's literary heritage but also positions stotras as critical artifacts in understanding the interplay between spirituality, culture, and intellectual development.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Man's entry into the world launches him at once into a state of submission and surrender to cosmic forces ) and this 15 true as much of man as an individual, થડ of his being થા entity of & groupora group of interests.”
  • “The earliest literature of India, and for the matter of that, of the human species—in which, however, man 15 far from primitive and shows a varied substratum of culture—contains indelible traces of how फिट primary (immediate) feelings of the poet in him open out a vista of grandeur and sublimity,”
  • “The Ramayana and the Makibhdrata came as welcome relief,—as nucleus 10 the then budding modes of thought as reflected in literature.”

Works cited in this article

  1. RV.L ૬. 8; X, 58. 11; હાત. Yadenam pebhih Gamisanti yajurbhir yajanti simabhile stuvanti—Yiska. Satarudriya
  2. Saunaka’s Rgvidkana
  3. Chandogyopanisad 111. 12
  4. Chamdogye 1. 1]
  5. Kavikarpapiira’s Alamkara-Raustubha, fkirapa 1 (page 7, Varendra Research Society Ed.)

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  • Malayalees
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In this issue

Vol. 1 · No. 2
201–213Northern BuddhismHariprasad G. Shastri214–219Some Observations on Pusyamitra and his EmpireRamesh Chandra Majumdar220–225The Story of Nurse Pinni—Is it Historically True?Subimal Chandra Datta226–233Rama Raya, Regent of VijayanagaraH. Heras234–244Buddha as an ArchitectP. K. Acharya245–249Message from Barhut Jataka LabelsB. M. Barua250–260Identification of the princes and territories mentioned in the Allahabad Pillar Inscription of SamudraguptaD. R. Bhandarkar261–264Subandhu, an Ancient Writer on DramaturgyA. Rangaswami Sarasvati265–279Hindu Theory of PropertyJ. N. C. Ganguly280–294The Vicitra NatakIndubhusan Banerjee295–302The Mandukya Upanisad and the Gaudapada KarikasVidhushekhara Bhattacharya303–309Bengal School of ArtSatish Chandra Jain309–316The Date of KalidasaSushil Kumar De316–323Some old Bengali 300185 and Periedicals in the British MuseumSushil Kumar De323–330Politics and Political History in the Mahabharata - II (General political condition of India)Narayan Chandra Banerji330–340The Bhasa Problem - II, III. (Implications of the theory)K. Rama Pisharoti340–360The Stotra Literature of 0ld IndiaShiva Prasad BhattacharyaCurrent article361MISCELLANY - The Bhasa ProblemK. G. Sesha Aiyar362–363Progress of Historical Research in TravancoreC. S. Srinivasachari363–364Inscriptions in SiamU. N. Ghoshal364The German Orientalists' DayU. N. Ghoshal364–368Oriental Research in BarodaBenoytosh Bhattacharya369–370Notes on BuddhismLouis de La Vallée Poussin370–378The Bhasa Problem - A ReplyG. Harihara Sastri378–384Hindu Theories of the Origin of Kingship and Mr, K. P. JayaswalG. Harihara Sastri384–385Two remarks on Mr. K. P. Jayaswal's Hindu Polity386–397Technical Hindu ConstitutionsNarendra Nath Law398–403Select Contents of Oriental Journals404Bibliographical Notes

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