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Folklore in Orissa: Historical Perspectives and Cultural Significance

By R. C. Misra

Vol. 10March 2003pp. 93–104English
Cultural PracticesIndian History Culture

Summary

The provided text discusses the study and significance of folklore in India, particularly focusing on Orissa. It traces the term "folklore" to its 19th-century origins, noting its evolution from "popular antiquities" and its association with oral traditions of rural, less literate communities. The text highlights the organized folklore movement in India, starting in the mid-20th century with journals and academic institutions, and categorizes folklore into types, including oral traditions, material culture, and practices like myths, rituals, and folk arts. It emphasizes folklore's role in preserving cultural identity, social cohesion, and traditional knowledge, especially in regions like Orissa, which features diverse tribal and non-tribal communities. The study also addresses challenges in defining and categorizing folklore, stressing its dynamic nature and relevance to understanding India's cultural heritage and societal changes.

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Conclusion

The study of folklore in Orissa reveals its dual tribal and non-tribal dimensions, shaped by the state's diverse physical and ecological features, including alluvial plains, arid hills, and dense forests. This diversity influences the variations in folklore materials across different communities and regions, highlighting the need for detailed, systematic study to preserve and understand these traditions. The recognition of folklore as a dynamic, living tradition rather than merely historical underscores its role in reflecting contemporary social values and cultural practices. The integration of folklore studies into academic frameworks, such as postgraduate programs and research initiatives, emphasizes its importance in preserving India's intangible heritage. The regional specificity of Orissan folklore, influenced by geographical and ecological factors, further highlights the necessity of localized research to capture its unique characteristics and contribute to broader national cultural narratives.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Folklore in India today is regarded as one of the most important and effective instruments of social engineering.”
  • “The traditional folk art forms of Orissa, nay of anywhere in India, have always provided popular entertainment and education for the common folk.”

Works cited in this article

  1. Encyclopaedia Britannica, vol. 9 (Extradition to Garrick), 1996, p.520
  2. Sankar Sen Gupta, Folklore of Bengal—A Projected Study, Calcutta, 1976, see ‘Foreword’
  3. Jawaharlal Handoo, Current Trends in Folklore, Mysore, 1978, see ‘ForeWord’ by H.M. Nayak
  4. B.B. Jena, Orissa—People, Culture and Polity, New Delhi, 1981
  5. Sohinder Singh Bedi, Folklore of the Punjab, New Delhi, 1991 (second print)

Discussed in this article

People

  • Sankar Sen Gupta
  • Alan Dundes
  • Deepa Punia
  • Satya Prakash Arya
  • Debi Prasanna Pattanayak
  • Gandhi 23
  • Sohinder Singh Bedi
  • William John Thomas
  • Trilochan Pande
  • Jawaharlal Handoo

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