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मुनि कनकामर : व्यक्तित्व और कृतित्व

By मुनि कनकामर, (श्रीमती) अलका प्रचण्डिया 'दीति'

Vol. 08 · No. 0March - 1988pp. 15–21Hindi

Summary

Based solely on the provided text, this document is a scholarly analysis of the personality and works of the 11th-century Jain poet and sage, Muni Kanakamar. The author, Dr. Alka Prachandiya 'Diti', examines Kanakamar's life and his sole surviving epic, the *Karakandachariu*. Kanakamar was born into a Brahmin family in the mid-11th century but later became a Digambara monk. His personality is described as an extraordinary synthesis of knowledge and action, and his poetry is noted for its fragrance and essence. The *Karakandachariu* is a ten-canto biographical epic composed in the city of Asaiya, focusing on the life of the historical figure Karakandu, a pre-Buddhist era king revered by both Jain sects and Buddhists. The epic's primary aim is to promote righteous living and Jain dharma, incorporating multiple sub-stories that impart moral lessons. The text analyzes the epic's characters, with Karakandu depicted as a noble, virtuous, and devoted son. The work is noted for its vivid descriptions of human emotions, such as the excitement of women upon Karakandu's arrival, and its geographical depictions of places like Anga Desh and Simhala Dweepa. The language of the epic is identified as southern Apabhramsha, characterized by its suitability to the rasa (aesthetic flavor), using onomatopoeic words and simple, restrained expressions. The analysis also covers the use of various poetic figures (alankaras) and the natural, though not exceptionally innovative, descriptions of nature. The document concludes that Kanakamar's language is lively and powerful, and his work successfully integrates multiple narratives to promote ethical and spiritual ideals.

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Conclusion

मुनि कनकामर का व्यक्तित्व और कृतित्व भारतीय साहित्य की अपभ्रंश परंपरा में एक महत्वपूर्ण स्थान रखता है। उनके महाकाव्य 'करकण्डचरिउ' में जैन धर्म की महिमा के साथ-साथ मानव जीवन की विविध अवस्थाओं का सजीव चित्रण मिलता है। इस अध्ययन का निहितार्थ यह है कि मुनि कनकामर ने धार्मिक संकीर्णता से ऊपर उठकर एक ऐसा साहित्यिक कार्य किया जो न केवल जैन परंपरा को समृद्ध कर

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  1. पट्टावली समुच्चय, पृष्ठ 26

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Vol. 08 · No. 0
7–9प्रास्ताविकडॉ. गोपीचन्द पाटनी10–12प्रकाशकीय13–14प्रारस्मिकप्रवीरचन््र जैन15–21मुनि कनकामर : व्यक्तित्व और कृतित्वमुनि कनकामर, (श्रीमती) अलका प्रचण्डिया 'दीति'Current article22अनित्य भावना23–37करकंडचरिउ की कथा में लोकतात्त्विक जड़ाव-जुड़ाव(प्रो.) छोटेलाल शर्मा38अशरण-भावना39–48करकंडचरिउ का काव्यशास्त्रीय मूल्यांकनएडॉ० महेन्द्रसागर प्रचंडिया49–56करकंडुचरित विषयक जैन साहित्यडों० कपुरचन्द जैन, (श्रीमती) ज्योति जैन57–62करकण्डचरिउ में प्रतिपादित इतिहास व संस्कृतिभागचन्द्र भास्कर63–73करकंडचरिउ और पद्मावत का शिल्प-विधानडॉ. (श्रीमती) पुष्पलता जैन74एकत्व-भावना75–83करकण्डचरिउ की अध्यात्म-चेतनासुयेनारायण द्विवेदी84संवर भावना85–107हेमचन्द्र-अपभ्रन्श-व्याकरण सूत्र-विवेचनडॉ. कमलचन्द सोगाणी108–109इस अंक के सहयोगी रचनाकारडॉ. छोटेलाल शर्मा, डॉ. कमलचन्द सोगाणी, डॉ. (श्रीमती) भरलका प्रचण्डिया, डॉ. कपूरचन्द जैन, डॉ. (श्रीमती) ज्योति जैन, डॉ. (श्रीमती) पुष्पलता जैन

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