Rgvedic Ballads
By P. S. Sastri
Summary
This study examines ballads in the Rgveda, arguing that mythological ballads often originate in historical events and are coloured by poetic imagination. Epithets for gods like Agni may derive from empirical observations and symbolic interpretation. The author categorises ballads into mythological, social, philosophical and martial types. Social ballads, such as the marriage hymn of Saryu, reflect Vedic social life, while philosophical ballads like Dirghatamas' hymn explore metaphysical questions and use symbolism to discuss the relation between the Absolute and the universe. The paper notes motifs such as abrupt openings, repetitive cycles (e.g., Indra ballads) and the combination of myth and realism. It concludes that Rgvedic ballads blend literary artistry with social consciousness and early philosophical inquiry, making them important for understanding Vedic thought.
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Conclusion
The article concludes that Rgvedic ballads are a rich source for studying early Indian society, mythology and philosophy. Their combination of poetic form with social and metaphysical themes reveals a culture where art, religion and speculation were intertwined. Recognising the symbolic and historical dimensions of these ballads is essential for interpreting the Rgveda beyond ritual contexts.