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Daksinamurti in the Subrahmanya Temple of Kannanur

By S. R. Balasubrahmanyan, K. Venkataranga Raju

Vol. 15 · No. 2June - 1939pp. 287–288English

Summary

The note provides a brief description of a stone image of Daksinamurti (Shiva as teacher) situated in the southern niche of the Subrahmanya temple at Kannanur in the Pudukottai state. Few South Indian temples can be dated precisely, but this temple can be assigned to the late ninth century on palaeographic grounds based on inscriptions of the Chola ruler Aditya Chola I, who ascended the throne around 871 CE. The temple, located about 23 miles southwest of the state capital, is constructed entirely of granite without mortar; though dedicated to Subrahmanya (Murugan), its architectural features resemble a Shiva temple. It has a bell-shaped shikhara and a stone stupi. Unusually, instead of a peacock, elephant figures appear at the cardinal points on the roof and in front of the deity—a feature mentioned in early Tamil literature. The Daksinamurti image sits under a banyan tree; he wears a jata-mukuta (matted-hair crown) and bears a third eye (lalatanetra). He has four arms: the front right hand holds chin-mudra, symbolising knowledge, while the front left rests on his thigh; the back right may hold a rosary; the back left holds a serpent. His left leg hangs down, pressing on the apasmara (dwarf demon representing ignorance), while the right leg is crossed over the left thigh. The note acknowledges that the image is remarkably well-preserved given its age. The temple’s unusual features and early date make it an important example of early Chola architecture and iconography.

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Conclusion

The Kannanur Subrahmanya temple’s Daksinamurti niche offers valuable insight into ninth-century South Indian temple art. Dated to the reign of Aditya Chola I, the granite temple combines a Shiva-style plan with a Murugan dedication and features elephant motifs instead of the usual peacock. The serene Daksinamurti image embodies Shiva’s role as cosmic teacher, with matted hair, chin-mudra and a serpent in hand. Its preservation highlights the durability of Chola craftsmanship and its syncretism underscores the fluidity of deity worship in Tamil religious culture.

Key passages

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  • “Of the three niches, there 15 an image now only in the southern niche.”

Works cited in this article

  1. Journal of Oriental Research, Madras
  2. Sangam works
  3. Journal of Oriental Research, Madras, 1938 issue

Discussed in this article

People

  • Aditya Cola I
  • Ko-Rajakesarivarman

Places

  • Tirumeyyam
  • Pudukotah
  • Kannanur

Texts & works

  • Subrahmanya Temple
  • Daksinamurti

Dynasties, sects & groups

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