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Rudra-Siva—as an Agricultural Deity

By Nanimadhab Chaudhuri

Vol. 15 · No. 2June - 1939pp. 183–196English
Medieval Bengali Literature

Summary

This essay examines an unusual portrayal of Rudra-Siva in medieval Bengali literature as a humble agricultural deity. In certain poems and songs, the great god is depicted ploughing his fields, sowing seeds, weeding, cutting grass, binding it into sheaves and carrying them home on his head. Although divine assistance is granted—Visvakarma forges a golden plough and sickle and Indra waters his fields—these accounts emphasise Siva’s poverty and need to farm for sustenance. Stories explain that he took up agriculture because he is a mendicant, with no wealth and a fondness for drugs and wandering. Domestic quarrels with his young wife Parvati prompt devotees to advise him to grow rice and cotton to avoid hunger and nakedness. In another version, Parvati persuades Siva to ask Indra for land; Siva then ploughs the fields with his own bull and Parvati’s tiger, assisted by Bhima. The article notes that in Gambhira and Gajana festivals, bhaktas enact Siva’s cultivation, and verses recited during the Vandani ceremony refer to his farming. Over time this cultivator image faded and was replaced by a different portrayal: Siva as a vagabond, crazy god of the lowly. Poets call him Badiyar Po (son of a gypsy), Pagal (mad), or Baul (wandering mendicant), describing him as addicted to bhang and partial to low company. The article argues that the agricultural conception likely arose from folk worship among semi-Hinduised tribes and tribal peoples; later literature emphasised his mendicant, vagabond traits. The dual roles of cultivator and outcaste underscore Siva’s complex relation to the rural poor and marginalised groups.

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Conclusion

By presenting Siva as both a farmer and a vagabond, medieval Bengali literature humanised the god and aligned him with the struggles of peasants and outcasts. Stories of him ploughing with a golden plough or harnessing a tiger and bull illustrate a divine solidarity with agricultural labourers. Yet his shift towards a vagabond identity reflects the ascetic ideal and his association with mendicants and gypsies. The essay suggests that these contrasting images reveal how popular devotion adapted Siva to different social contexts, allowing him to serve simultaneously as protector of farmers and patron of marginal communities.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “He 15 represented as a cultivator who ploughs his fields, sows seeds, takes out weeds, cuts grass and binding 16 into a sheaf, carries it home on his head.”
  • “From the above we find that $tva appears mainly 10 two aspects in the medieval Bengali literature and folk-songs and festivals—a cuktvator god and a mendicant, crazy, a god of the lowly.”
  • “We are, further, inclined to the view rhat the other aspect ૦ the cultivator-Siva namely, the aspect of crazy, mendicant god of the lowly, 15 also derived from the old Vedic Rudra.”

Works cited in this article

  1. See Adyer Gambiri by Haridas Palic (Jatiya Siksi Samid, Malda) and Folk Elements in Hindu Calture by Benoy K. Satkar, pp. 57, 90.
  2. JAS, vol 1, 3, pp. 181 दि D. C. Sen, Vanga Sahitya Paricaya.

Discussed in this article

People

Dynasties, sects & groups

  • Biyars
  • Rautias

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