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Kulasekhara of Kerala

By K. Rama Pisharoti

Vol. 7 · No. 2June - 1931pp. 319–330English, Sanskrit

Summary

“Kulasekhara of Kerala” examines the contributions of Kerala to Sanskrit literature and theatre by focusing on the enigmatic figure of Kulasekhara. Kerala produced numerous Sanskrit dramas that preserve the ancient stagecraft and indigenous acting styles. The so‑called Bhāsa theory, which posits that the plays attributed to Bhāsa were written in Kerala, stimulated interest in Kerala’s literary heritage. The author notes that Kerala’s dramatic tradition, including the preservation of Bhāsa’s dramas, is tied to a unique script and performance practice distinct from those of other regions. Kulasekhara, a devout Vaishnava and skilled poet, is credited with the devotional lyric “Mukundamālā” and with plays that exhibit elegant Sanskrit as well as vernacular influences. However, multiple historical figures share the name Kulasekhara: there were at least six kings named Kulasekhara in Kerala’s Chera dynasty, and traditions often conflate them with the saint Kulasekhara Āḻvār and with the dramatist. The article distinguishes between these figures by examining literary evidence and traditional accounts. It suggests that the dramatist and the patron of the Mukundamālā may have been distinct individuals but belonged to the same royal lineage. The author also discusses other Kulasekharas, such as Sthānū Ravi Kulasekhara, noted for preserving the Bhāsa plays, and Kulasekhara Varman, connected to Vaishnava hymns. The 8th century is identified as a fertile period for Sanskrit literature in Kerala; devout kings patronised poets and revived Hindu religion. The article concludes by emphasising that the term “Kulasekhara” should be understood as a dynastic title rather than a single person’s name and that a clearer distinction between the dramatist and lyric poet will enhance our understanding of Kerala’s contribution to Indian literature.

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Conclusion

By disentangling the identities of various Kulasekharas, the article highlights Kerala’s rich literary tradition and its role in preserving Sanskrit drama. It argues that the author of the Mukundamālā and the royal patron associated with classical theatre were distinct but related members of the Chera dynasty. Recognising this distinction clarifies Kerala’s contribution to the revival of Vaishnavism and to Sanskrit dramaturgy. The study underscores Kerala’s importance as a centre of Sanskrit scholarship and encourages further research into regional literary histories.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Kerala knows many Kulasekharas, about half a dozen in number 50 far as we now know,® Thereis first and foremost the Vaispavite devotee, the author of the Mukundamild.”
  • “we assign the dramatist Kulasekhara to the middle of the 8th century and he must have lived before 788 A,D.”
  • “The discipline that we have introduced into the problem of the Kulagekharas from the traditional and the literary points of view resolves the six Kulasekharas into two: the author of devotional lyric and the dramatist, who come one after another with or without an interregnum, but more or less close upon one another.”

Works cited in this article

  1. Acting in Kerala
  2. Sanskrit and Prakrt in 'Arya Elutta
  3. Rimakathg Study
  4. Kerala Cultural Antiquities
  5. The Bhisa Theory again

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  • Mukundamild

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In this issue

Vol. 7 · No. 2
214–244Origin of the Bell-CapitalAchyuta Kumar Mitra245–253Topography in the PuranasSashi Bhusan Chaudhuri253–258Dvaidhibhava in the KautiliyaNarendra Nath Law259–286Bodhisattva Pratimoksa SutraNalinaksha Dutt287–300The First Saka of CitodSubimal Chandra Datta301–308Mandana, Suresvara and Bhavabhuti : The Problem of their IdentityDinesh Chandra Bhattacharya309–318Some Notes on Skanda-KarttikeyaManmatha Mukhopadhyay319–330Kulasekhara of KeralaK. Rama PisharotiCurrent article331–333A Surya Icon from a Dasavatara Temple, PaganNiharranjan Roy334–342Vilvamangalam SvamiyarsA. Govinda Warrier343–358Early Visnuism and Narayaniya WorshipMrinal Das Gupta359–362Ganga in Ceylon and IndiaJ. C. De362–364An Early Supporter of ShivajiJadunath Sarkar365–366The Webbed Finger of BuddhaAnanda Kentish Coomaraswamy367–370A Few Evidences on the Age of the KathavatthuDwijendra Lal Barua370–371The Age of the Visnu PuranaV. R. Ramachandra Dikshitar371–376More on ManimekhalaSylvain Levi377–379Derivation of PaliS. V. Viswanatha380–383Problems of the NatyasastraHarihara V. Trivedi384–388Technical Terms in the Hindu Revenue SystemU. N. Ghoshal389–410The English Translation of the KautiliyaNarendra Nath Law410–412An Inscription dated in the Reign of Emperor Muhammad ShahDineshchandra Sircar412–412Candasutinam in the Nanaghat Cave InscriptionDineshchandra Sircar413–418The BhagavrttiKshitish Chandra Chatterjee418–419The Authorship of the AnunyasaKshitish Chandra Chatterjee420–427ReviewsAnanda Kentish Coomaraswamy, Subimal Chandra Datta428–432Select Contents of Oriental Journals433–434Bibliographical Notes

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