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A Bell-Capital from Bhuvanesvara

By Achyuta Kumar Mitra

Vol. 5 · No. 4December - 1929pp. 693–699English

Summary

The bell-capital from Bhuvanesvara, discovered west of the Ramesvara temple, is an early example of Orissan art and architecture. Likely dating to the 1st century BCE, it shows Mauryan influences but with distinct deviations. The capital features a bell-shaped structure (32" height, 96" circumference) with a frieze of meandering creepers, lotus, lions, cranes, and mythical animals, reflecting advanced sculptural techniques. Unlike typical Mauryan capitals made of Chunar sandstone, this one uses coarse gray stone and separates the bell from the animal sculpture. The bell's petals include unique arrowhead-like reeds between them, and the torus moulding differs from Mauryan rope patterns. These ornamental additions suggest a shift from Mauryan austerity to more decorative styles. The capital supports theories about post-Mauryan artistic evolution, with possible Persian or Hellenistic influences, though its exact origins remain debated. It provides insight into the transition toward more elaborate Indian art in the early centuries BCE.

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Conclusion

This bell-capital from Bhuvanesvara represents a significant departure from Mauryan artistic conventions while retaining structural and decorative parallels, suggesting an evolution in early Indian art. Its unique features—such as the ornate frieze with advanced sculptural modeling, distinctive arrowhead-shaped reeds between petals, and the absence of polish—indicate a shift toward greater ornamentation and plastic expression in the post-Mauryan period. The specimen likely dates to the 1st century B.C., reflecting a transitional phase where artistic practices moved beyond the restraint of Mauryan traditions, incorporating regional influences and decorative innovations. This capital thus serves as a critical artifact, bridging Mauryan heritage and the more elaborate aesthetic trends of later Indian art.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Lying beside the tank to the west of the temple ૦ Ramedvara at Bhuvanedvara 15 a bell.capital of an early date, which offers interesting addition to our knowledge of early art and architecture in Orissa.”
  • “The Bhavanefvara capital, then, both on account of its characteristic variations of form and the style of the relief on its lower edge, may be said to have been produced during the early centuries B. C. subsequent to the Mauryan period when the more ornamental early Indian art had been manifesting itself.”
  • “To this they breathed a new sense of design, and infused it with a new vigour, Its prodncts were sent forth towards south-east,as far as Safichi, and north-west as far as Taxila”

Works cited in this article

  1. Cambridge History of India, vol. 1, pp. 535-37, 600, 602
  2. Ibid., p. 641
  3. Diez, Die Kunst Indiens, p. 13, figs. 3-6
  4. ASIAR, 1914-18
  5. Indian and Eastern Architectore, vol. I, 0, 59 (1૦10)

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In this issue

Vol. 5 · No. 4
1–41Prakasavarsa and his RasarnavalankaraV. Venkatarama Sharma587–613Pusyamitra and the Sunga EmpireRamaprasad Chanda614–640The Machinery Of Administration As Depicted In The KauṭiliyaNarendra Nath Law641–645A Three-Headed Statue of Yamari from the District of DaccaNirad Bandhu Sanyal648–658Vedanta and the VedantistUmesh Chandra Bhattacharya659–665Topography in the Puranas �PnrusottamaksotraSashi Bhusan Chaudhuri666–676Birbhum and Western Bengal in the Eighteenth CenturyGottlieb L. Schanzlin676–692The Three Great Philosophers of KeralaK. Rama Pisharoti693–699A Bell-Capital from BhuvanesvaraAchyuta Kumar MitraCurrent article699–714Subandhu or Banabhatta - Who is earlier ?Shiva Prasad Bhattacharya715–721Taranatha's History of Buddhism in India721–728Svapna-nataka and Svapna-vasavadattaV. Venkatarama Sharma728–753The Lumbini-Pilgrimage Record in Two InscriptionsSailendra Nath Mitra754–769On Some Tantrik Texts Studied in Ancient KambujaP. C. Bagchi770–780The Rasarnavalamkara of PrakrsavarsaSushil Kumar De780–783A Note on the Salaries and Allowances Detailed in the KautiliyaNarendra Nath Law784–785Dr. Acharya on "Fine Arts"Puran Chand Samsookha786–789Mr. Kavi's Edition of the Natya-SastraSushil Kumar De790–791Concerning Bhagavadgita III, 15F. Otto Schneider791–793Commentary on Saradatanaya's Bhavaprakasa is not a Myth but a RealityV. Venkatarama Sharma794–796Discovery of a Bone-Relic at an Ancient Centre o} MahayanaNalinaksha Dutt796–810Notes on DravidianL. V. Ramaswami Aiyar811Quotations from the TattvasamgrahaVidhushekhara Bhattacharya812–821ReviewsNalinaksha Dutt, U. N. Ghoshal, Giuseppe Tucci822–827Select Contents of Oriental Journals828–829Obituary NoticeSudha Kanta De830–831BIBLIOGRAPHICAL NOTES

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