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यशस्तिलक के सन्दर्भ में अहिंसा

By Prof. Gokul Chandra Jain

Vol. 04 · No. 01January-June 2011pp. 53–60Hindi

Summary

The article examines the concept of *ahiṃsā* (non-violence) in Somadeva Sūri’s tenth-century Sanskrit work *Yaśastilaka*, presenting it as a literary and ethical critique of violence embedded within social and religious practices. Written during the Rashtrakuta period (959 CE), *Yaśastilaka* is described as both a cultural document and a vehicle for moral instruction through narrative. The discussion evaluates the text through three lenses: the cultural structure of its story, the conflict between violence and non-violence represented within it, and Somadeva’s understanding of ahiṃsā and its observance. The narrative centers on King Yaśodhara and Queen Mother Candramatī, where the ritual sacrifice of a flour-made cock (*piṣṭa-kukkuṭa*) to a goddess becomes symbolic of intentional violence. Persuaded to perform the offering despite opposing animal sacrifice, Yaśodhara and his mother later die after consuming the poisoned sacrificial offering and, according to the story, wander through six animal births before regaining human existence through moral awakening and repentance. Through this narrative, the article interprets violence as ethically consequential even when symbolic and portrays deliberate violence (*saṅkalpī hiṃsā*) as spiritually damaging. Somadeva rejects ritual violence performed for gods, ancestors, medicine, or fear and emphasizes mental intention, restraint, compassion, vigilance in conduct, dietary caution, non-injury, and friendship toward all living beings as essential to ahiṃsā. The article also situates *Yaśastilaka* within broader debates on sacrificial traditions, references textual disputes with scriptural justifications of animal sacrifice, and concludes with references and an English institutional note outlining the aims of the Gyan Sagar Science Foundation included in the journal issue.

Summary reviewed by a volunteer editor.

Conclusion

The article concludes that *ahiṃsā* in *Yaśastilaka* is not merely the rejection of physical violence but a disciplined ethical orientation rooted in intention, restraint, and moral awareness. By using the story of Yaśodhara to expose the spiritual consequences of even symbolic, deliberate violence, Somadeva critiques sacrificial traditions and advances a vision of culture founded on compassion, vigilance, self-control, and responsibility toward all living beings. The text ultimately presents non-violence as a transformative principle that depends as much on inner disposition as outward conduct.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “यशस्तिलक उस महान् युगदृष्टा मनीषी का कीर्तिस्तम्भ રે! अहिंसक संस्कृति का उन्नत सुमेरु है।”
  • “इस तरह यशस्तिलक की कथावस्तु हिंसा और अहिंसा के g की कहानी है।”
  • “अहिंसा का फल बताते हुए सोमदेव कहते हैं कि अहिंसाव्रत के माहात्म्य से व्यक्ति आयुष्यमान्. सुभग, श्रीमान्. सुरूप तथा कीर्तिमान् होता है।”

Works cited in this article

  1. यशस्तिलक
  2. बुद्धचरित्र
  3. मनुस्मृति
  4. तत्त्वार्थसूत्र

Discussed in this article

Texts & works

Dynasties, sects & groups

  • कोल-कापालिक
  • राष्ट्रकूट

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In this issue

Vol. 04 · No. 01
3–6प्राकृत अध्ययन : दशा एवं दिशाAnupam Jain7–10युगदृष्टा उपाध्याय मुनि ज्ञानसागरजीउपाध्याय मुनि ज्ञानसागरजी11–14पूज्य 108 श्री शांतिसागरजी महाराज का तपः पूत जीवनवृत्तNeeraj Jain15–26तीर्थकर एवं मंगलमय-भगवान महावीरLate Pandit Nathuram Dongariya Jain27–32विज्ञान के क्षेत्र में अहिंसा की प्रासंगिकताLate Shri Sureshchandra Barolia33–44जैनदर्शन की व्यावहारिकताVeersagar Jain45–52जैन साहित्य में रामकथाAlok Kumar Mishra53–60यशस्तिलक के सन्दर्भ में अहिंसाProf. Gokul Chandra JainCurrent article61–66आधुनिक भू-विज्ञान के परिप्रेक्ष्य में जम्बूदीप और मेरुपर्वतRajkumar Nandgaonkar67–70ध्यान - योग : जैन सन्दर्भAcharya Ashok Sahajanand71–78सल्लेखना के परिप्रेक्य परिप्रेक्ष्य में आहार ग्रहण और त्याग का महत्वRakesh Jain79–84जैनधर्म और प्रजातान्त्रिक जीवनDharmachand Jain85–92तत्त्वार्थवार्तिक में वर्णित सम्यग्दर्शन का वैशिष्ट्यPulak Goel

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