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'Niravasita' (Panini 2.4.10)

By M. Srimannarayana Murti

Vol. 201996pp. 43–61English

Summary

M. Srimannarayana Murti analyses Panini’s grammatical rule 2.4.10, which prescribes a singular case ending for samahara dvandva compounds denoting ‘unexpelled’ (aniravasita) sudras. He explains dvandva compound types: itaretara‑yoga dvandvas signify unity in diversity, whereas samahara dvandvas aggregate individuals and thus take a singular affix. Panini’s rule illustrates that by the seventh century BCE sudras were divided into unexpelled and expelled groups; unexpelled sudras remained integrated in Aryan society. Murti explores the sole counter‑example and reviews interpretations by grammarians, noting that Patanjali defined unexpelled sudras as those allowed within Aryavarta, bounded by classical geography. The article examines examples of samahara compounds naming occupational groups and interprets how linguistic rules reflect social stratification and historical context.

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Conclusion

Murti concludes that Panini’s rule has social as well as linguistic significance. The singular affix in samahara compounds mirrors the treatment of certain sudra groups as cohesive units within Aryan society. Studying such rules sheds light on ancient social structure and the interplay between grammar and history.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Sudrdndm aniravasitdndm (Van 2. 4. 10) enjoining the case-affix in singular number to the samdhdra-dvandva compound in which the members denote sudras who are unexpelled (from the communication of higher classes)”
  • “The singular case-affix is added to the samdhdra-dvandva. to signify the non-distinction of individuals.”
  • “The expelled are those, the plate in which they eat does not become pure even by a purificatory rite”

Works cited in this article

  1. Aitareya-Brdhmana
  2. Dharmasastra
  3. Vajasaneyi-Samhita
  4. Taittiriya-Brahmana
  5. Satapatha-Brahmana

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In this issue

Vol. 20
1–11Natyasastra, Sanskrit Drama and Its TheatreRadhavallabh Tripathi12–15Some Notes on the Transmission of the Ayaranga-suttaColette Caillat16–23Middle Indic tuvatta-Herman Tieken24–31Pustimargi Poetry in Gujarati – The Lord of Braj Travelled to Gujarat TwiceMallison32–42Self‑Luminosity of Consciousness in Advaita Vedanta as explained in the NyayamakarandaRabindra Kumar Panda43–61'Niravasita' (Panini 2.4.10)M. Srimannarayana MurtiCurrent article62–66Candralekhavijaya Prakarana: A Discovery of an Island of Dramatic ExcellenceVijay Pandya67–72Heretical Conception of Universe and Jain Critique as depicted in the Sutrakrtanga Commentary of SilankaCh. Lalitha73–76Kalinjar Fort: The Time Winner Ancientmost Fort of IndiaDinesh Chandra Bhattacharya77–91Variants from Venisamhara and the Kavyaprakasa of MammataJagruti S. Pandya92–99Alamkara‑DappanaHarivallabh Chunilal Bhayani100–108Heredity and EnvironmentRatanlal Jain109–122સમ્મતાકાર : એક અપ્રસિદ્ધ વૈયાકરણNilanjana S. Shah123–127વડનગરનો સમ્મતિય સંઘારામRatilal N. Mehta, Munindra Vishwa Joshi, Ratilal Satya Bhavsar128–131અમદાવાદની કેટલીક ઉમા-મહેશ્વરની યુગલ પ્રતિમાઓRambhai Thakar Savaliya, Munindra Vishwa Joshi132–133કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak134–144જૈન પુરાણો પર એક દૃષ્ટિપાતKantilal R. Dave145–146ભીમદેવ બીજાના વિશ્વ સં. ૧૨૬૩ના તામ્રપત્રમાં મળતા કેટલાક શબ્દો પર નોંધHarivallabh Chunilal Bhayani147–166રાજસારકૃત પુંડરીક-કુંડરીક-સંધિKalpana Kanubhai Sheth167–190Untitled articleNarayan M. Kansara191–212ReviewsNarayan M. Kansara

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