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Middle Indic tuvatta-

By Herman Tieken

Vol. 201996pp. 16–23English

Summary

Herman Tieken investigates the Middle Indic verb tuvatta‑, arguing that the primary issue is its changing meaning rather than its derivation. In Asokan inscriptions the word denotes being active or getting up, whereas in Pali and Jaina texts it means lying down. Tieken analyses occurrences in the Dhauli and Jaugada edicts and interprets the verb alongside samcalitaviye and etaviye to show it refers to bodily activity. He proposes deriving tuvatta‑ from Sanskrit ati‑vrt‑ (‘to move excessively’), explaining phonological changes. The study then surveys the verb in the Pali canon, where it appears in lists with verbs for standing and sitting and clearly means ‘to lie down’. In Jaina texts it similarly means turning over or lying down. Tieken argues that the semantic bleaching from ‘being active’ to ‘lying down’ reflects linguistic evolution and social context. Understanding this shift helps date the Jaina canon relative to the Buddhist Pali canon, with the Asokan sense being oldest and the Jaina usage representing the latest stage.

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Conclusion

Tieken concludes that tuvatta‑ underwent a semantic shift from denoting vigorous activity in Asokan edicts to meaning lying down in Pali and Jaina texts. This development highlights how words change meaning over time and suggests that the Jaina canon postdates the Buddhist Pali texts.

Key passages

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  • “The real problem of tuvatta- concerns its meaning, which shows a considerable latitude in the respective sources”
  • “Starting precisely from this latter meaning in the Asoka inscriptions the derivation of the word would present itself almost automatically”

Works cited in this article

  1. W. B. Bollee, 'Notes on Middle Indo-Aryan Vocabulary II'
  2. K. R. Norman, 'Suyagada Studies'
  3. H. Jacobi, Jaina Sutras
  4. J. Bronkhorst, The Two Traditions of Meditation in Ancient India
  5. I. E. Homer, The Book of the Discipline (Vinaya-Pitaka)

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  • Asoka inscriptions

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In this issue

Vol. 20
1–11Natyasastra, Sanskrit Drama and Its TheatreRadhavallabh Tripathi12–15Some Notes on the Transmission of the Ayaranga-suttaColette Caillat16–23Middle Indic tuvatta-Herman TiekenCurrent article24–31Pustimargi Poetry in Gujarati – The Lord of Braj Travelled to Gujarat TwiceMallison32–42Self‑Luminosity of Consciousness in Advaita Vedanta as explained in the NyayamakarandaRabindra Kumar Panda43–61'Niravasita' (Panini 2.4.10)M. Srimannarayana Murti62–66Candralekhavijaya Prakarana: A Discovery of an Island of Dramatic ExcellenceVijay Pandya67–72Heretical Conception of Universe and Jain Critique as depicted in the Sutrakrtanga Commentary of SilankaCh. Lalitha73–76Kalinjar Fort: The Time Winner Ancientmost Fort of IndiaDinesh Chandra Bhattacharya77–91Variants from Venisamhara and the Kavyaprakasa of MammataJagruti S. Pandya92–99Alamkara‑DappanaHarivallabh Chunilal Bhayani100–108Heredity and EnvironmentRatanlal Jain109–122સમ્મતાકાર : એક અપ્રસિદ્ધ વૈયાકરણNilanjana S. Shah123–127વડનગરનો સમ્મતિય સંઘારામRatilal N. Mehta, Munindra Vishwa Joshi, Ratilal Satya Bhavsar128–131અમદાવાદની કેટલીક ઉમા-મહેશ્વરની યુગલ પ્રતિમાઓRambhai Thakar Savaliya, Munindra Vishwa Joshi132–133કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak134–144જૈન પુરાણો પર એક દૃષ્ટિપાતKantilal R. Dave145–146ભીમદેવ બીજાના વિશ્વ સં. ૧૨૬૩ના તામ્રપત્રમાં મળતા કેટલાક શબ્દો પર નોંધHarivallabh Chunilal Bhayani147–166રાજસારકૃત પુંડરીક-કુંડરીક-સંધિKalpana Kanubhai Sheth167–190Untitled articleNarayan M. Kansara191–212ReviewsNarayan M. Kansara

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