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New Light on Sarabha Image

By Shyam Chand Mukherjee

Vol. 36 · No. 2 & 3June & September 1960pp. 177–185English

Summary

This article investigates the iconography of Śiva’s Sarabha incarnation—a composite creature with features of a lion, bird and man—described in the Uttara Kāmikāgama and the Sarabhopaniṣat. In the myth, Viṣṇu’s Narasiṃha incarnation becomes so fierce after slaying Hiraṇyakaśipu that the gods implore Śiva to intervene. Śiva assumes the form of Sarabha, an eight‑legged beast with wings and a lion’s head, to subdue Narasiṃha and restore cosmic balance. The author surveys sculptural representations of Sarabha from various Indian temples, noting differences in posture, number of limbs and the presence of weapons. Some images depict Sarabha embracing Narasiṃha, while others show him standing triumphantly. By analysing these depictions, the article provides new evidence for the evolution of Śaiva iconography and highlights the interplay between textual descriptions and artistic innovation.

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Conclusion

By combining textual references with sculptural analysis, the article sheds light on a little‑studied incarnation of Śiva. It reveals how artists interpreted the Sarabha myth in diverse ways and enriches our understanding of Śaiva imagery and mythology.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The Sarabha incarnation of Lord Siva is a peculiar one. In it the Lord appears in a chimera like (composite form of man, bird and beast) Sarabha, a mythi-cal animal.”
  • “The image of SarabheSa, as described in this text, may be styled as chat of Maha-Sarabheéa.”
  • “Iconic representations of the Sarabha image therein were done at the behest of the protagonists of Saivism, who were powerful during the Chola period.”

Works cited in this article

  1. Kalikapurana
  2. Uttarakamikagama
  3. Sritattvanidbi
  4. Sarabbopanisat
  5. Lingapuranam

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Texts & works

  • Sarabbopanisat
  • Uttarakamikagama
  • Sritattvanidbi
  • Lingapuranam

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