Skip to content
Browse articles

Trisula Purusa in Indian Sculpture

By Ratna Chandra Agrawala

Vol. 36 · No. 2 & 3June & September 1960pp. 186–188English

Summary

This miscellany article explores the anthropomorphic representation of Śiva’s trident (triśūla) in Indian sculpture. While Viṣṇu’s weapons such as the cakra and gadā are often depicted as dwarfish figures, the personification of the triśūla is rarely noticed. The author surveys examples from northern and southern India and discusses reliefs from Khilchipura and other sites described by J. G. Rao. In these sculptures the trident rests on the head of a dwarf figure, sometimes crowned with matted locks and sometimes bareheaded. The article points out differences between these figures and more common iconographic motifs and suggests that the trident’s personification reflects local artistic interpretations of Śaiva mythology. By drawing attention to overlooked examples, it enriches our understanding of the diversity of Hindu iconography.

AI-assisted summary, not yet checked. Consult the original PDF before citing.

Conclusion

The survey of triśūla personifications shows that Indian artists occasionally rendered Śiva’s weapon as a dwarf figure, echoing the humanised weapons of Viṣṇu. These rare depictions demonstrate the inventiveness of regional sculptors and highlight the need for more detailed cataloguing of iconographic variations.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The sculptures, presenting che Trisila-Purusa have not been fully noticed as yet and it is now proposed to make a few observations about such rare pieces in the realm of ancient Indian iconography.”
  • “He may tentatively be identified as triséila-puruse though the main deity holds a trident of smaller size in the back tight hand”
  • “In this connection two post-Gupta and un-published sculptures* in the State Museum at Lucknow (no. AC-2984) and Municipal Museum at Allahabad (no. H-104) are quite interesting because therein we find the trident mark stamped above the ~heads* of the male figures appearing as dwarfs below.”

Works cited in this article

  1. T. G. Rao, Elements of Hinds Iconography, Madras, I (2), pp. 77°9 of Appendix, text only
  2. Ancient India, Bull. of Arch. Survey of India, New Delhi, VI, pl. XIX-B
  3. R. C. Agrawala, Lalitakala, no. 6, pp. 63 f£., and plates
  4. S. N. Chakravarty, 4 Guide to the Antiquities of the Historic g:riod in Prince of Wales Museum of Western India at Bombay, 1958, Bombay, pl. 1)
  5. J.N. Banerjea, Development of Hindu Iconography, evised edition, 1956, Calcutta, pp. 537-539

Discussed in this article

People

Places

AI guide

Discuss this record

Ask about the article, its topics, issue context, selected passages, or reading strategy.

Start with the record

I can unpack the summary, turn it into study questions, explain a selected passage, or compare it with the other articles in this issue.

Original PDF

Inline viewer

Checking source PDF

The viewer will load here if the archive file is reachable.

Same author

More by Ratna Chandra Agrawala

All articles →
The Indian Historical Quarterly

Moustaches—a rare device in the Early Indian Visnu and Siva Images

By Ratna Chandra Agrawala

December 1962
The Indian Historical Quarterly

Interesting Kusana Terracottas and Sculptures from Rajasthan

By Ratna Chandra Agrawala

December 1962
The Indian Historical Quarterly

Krsna and Baladeva as Attendant Figures in early Indian Sculpture

By Ratna Chandra Agrawala

March 1962
The Indian Historical Quarterly

An Unpublished Copper Plate Grant of V.S. 1165 from Rajasthan

By Ratna Chandra Agrawala

June & Sept. 1961