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एथेन्स का सत्यार्थी

Vol. 49 · No. 03March - 2001pp. 34–37Hindi
सत्य की खोज

Summary

The story follows Deokulish, a young truth-seeker in ancient Athens. He was a wealthy, handsome, and highly intelligent student, yet he found no peace in worldly pleasures. His sole desire was to see truth in its naked, unveiled form. He spent nights weeping at the feet of a marble statue of Minerva, the goddess of wisdom, begging for this vision. One night, as he was about to kill himself in despair, the statue came to life. The goddess offered him wealth, health, and youth, but Deokulish refused everything, insisting only on seeing the naked truth. She warned him of the immense cost: he would lose his wealth, beauty, fame, and possibly his life. He accepted. She then took him to a mountain of clouds and allowed him to remove one veil from truth, promising another veil would be removed each year. Over the years, Deokulish became a recluse, indifferent to money, love, and social gatherings. His health declined, his hair turned white, and his youth was spent. Yet, he continued his quest, removing a veil of truth each year. On the final night, the goddess took him to the mountain again. She revealed that all the veils he had removed were not veils of truth, but of his own intellect. Only one veil remained. She offered him one last chance to turn back, promising to restore his youth and wealth. Deokulish refused and tore away the final veil. As he did, darkness engulfed everything.

Summary reviewed by a volunteer editor.

Conclusion

The narrative culminates in a profound revelation: the ultimate truth sought by Devkulish is not an external, radiant object but a blinding, all-consuming void. His relentless pursuit, which cost him his youth, wealth, and worldly ties, leads not to illumination but to an abyss of darkness. This outcome implies that the absolute, unmediated truth is beyond human perception and perhaps even destructive to the seeker. The story’s implication is that the journey of stripping away illusions—the veils of the mind—is itself the transformative process, not the final unveiling. Devkulish’s tragic victory suggests that some truths are too vast for mortal comprehension, and that the value lies in the disciplined quest itself, which refines the soul even as it consumes the body. The final darkness is both an end and a beginning, leaving the reader to ponder the cost of absolute knowledge.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “सत्य के ऊपर एक ही પરવા है। आगे વહ ओर उसे उतार दे, પરતુ अगर તૂ चाहे तो अब भी लौट चल। मैं तुझे सातो समुद्रों के मोती और दुनिया का सारा सोना देने को तैयार हूं। तेरा गया हुआ स्वास्थ्य वापस मिल सकता है, तेरा उजड़ा हुआ यौवन लौटाया जा सकता है।”
  • “सत्य परदों के अंदर ही से देखा जा सकता है। जब उसका परदा उतार दिया जाता है, तो मनुष्य वह देखताहै जो कभी नहीं देख सकता।”
  • “हजारों वर्ष बीत चुके हैं, पर एथेन्स के सत्यार्थी વી खोज अभी तक जारी है। अगर कोई आदमी बादलों के पहाड़ की घाटियों में जा सके तो उसे देवकुलीश के रोने की आवाज आज भी उसी तरह सुनाई देगी।”

Discussed in this article

People

  • देवकुलीश

Places

  • एथेन्स

Texts & works

  • एथेन्स का सत्यार्थी

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In this issue

Vol. 49 · No. 03
5–6यह जो देखते हैं7–8विमर्शश्री अविन्द9–13आत्म-नियंत्रण से कषाय-मुक्तिआचार्यश्री महाप्रज्ञ14–16आत्मज्ञान क्या हैजिद्दू कृष्णमूर्ति, जे. कृष्णमूर्ति, डॉ. महादेव राम विश्वकर्मा17–20आत्मविजय का नीतिशास्त्रडॉ. बलवंत जानी21–22अनुभूतिसर्वेश्वबदयाल23–26कषाय विवेचना27–28नारी के तीन रूपआचार्यश्री तुलसी29–31अहिंसा : चेतना का पुनराविष्कार(डॉ.) निर्वाणप्रज्ञा32–33स्वाध्याय: चेतना विकास का सूत्रमुनि मदनकुमार34–37एथेन्स का सत्यार्थीCurrent article38अञ्जू ढड्ढा मिश्र की कविताएंअञ्जू ढड्ढा मिश्र39–40शीलनजे.पी.41–43संयम की बात बजरिए भूकंप44–47आहार : स्वाद नहीं साधना48–50कोई किसा का नहीं51–54अहंकार और ममकार के विसर्जन का महोत्सव

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