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Symbolic and Mimetic fire-Altars: A new approach to the Sulbasutras

By Ram Krishna Bhattacharya

Vol. 322009pp. 37–42English

Summary

Ramkrishna Bhattacharya offers a fresh interpretation of the fire altars described in the Sulbasutras, the Vedic manuals that prescribe geometric rules for constructing sacrificial structures. He proposes a distinction between symbolic and mimetic altars. Symbolic altars are those whose outlines represent abstract cosmological ideas without resembling concrete objects; mimetic altars are fashioned to imitate the shapes of birds, animals or other forms. The article classifies the altars discussed in the Sulbasutras into rectilinear and curvilinear types, then further subdivides them according to this symbolic–mimetic dichotomy. Through detailed textual analysis and diagrams, Bhattacharya argues that recognising this distinction clarifies the ritual purpose of different altars and sheds light on how Vedic priests encoded cosmological symbolism into architectural form. He also suggests that this perspective highlights early Indian contributions to geometry, as the precise construction of these altars required sophisticated mathematical knowledge. The article challenges earlier scholarship that viewed all altars merely as geometric exercises and invites a deeper appreciation of the interplay between ritual, symbolism and mathematics in ancient India.

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Conclusion

The author concludes that understanding fire altars as either symbolic or mimetic enriches our interpretation of the Sulbasutras. It reveals that Vedic ritualists used geometry not just for technical precision but also to embody cosmological and mythological concepts, demonstrating a profound integration of spirituality, art and early science.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The fire-altar (citi)-s mentioned in the _Dulbasivtra (Dus)-s may be divided into two kinds: rectilinear and curvilinear (basically circular). Both the kinds have two varieties: symbolic and mimetic.”
  • “A study of the citi-s in terms of the symbolic and mimetic variants leads to one clear conclusion: all citi-s were at first both rectilinear and symbolic; mimetic citi-s came later.”
  • “The second conclusion that can be drawn is that the shapes of all the citi-s were not known to the redactors of the Dus-s, which is why they had to invent certain forms or stop at mentioning the name only, without giving any details of their construction.”

Works cited in this article

  1. Baudhrhyana Drauta Sitra. Ed. Dr. W. Caland. New Delhi: Munshiram Monoharlal.
  2. Bhattacharya, Ramkrishna. “Do the Dulbasitra-s Represent Actual Practice?” Journal of the Asiatic Society (Kolkata), XLVIII: 1, 2006, pp. 36-49.
  3. Bhattacharya, Ramkrishna. “Significance of the Development of the Dyena Citi in the Baudhmyana Dulbasutra”, પહો (Jadavpur University, Kolkata), Vol. 25. July 2004, pp. 45-49.
  4. Criir Dulbasitra. Trans. into Hindi by Raghunath Purushottam Kulkarni. Ujjain: Maharshi Sandipani Rashtriya Vedavidya Pratishthan, 2003.
  5. Taittiréya SaNhitm (Text). Aundh, 1945.

Discussed in this article

Texts & works

  • Kirma
  • Dyena
  • Rathacakra
  • VakrmNga
  • Taittiréya SaNhitm
  • Baudhmyana Dulbasutra
  • Dulbasivtra
  • Samihya-Puréaa
  • Baudhrhyana Drauta Sitra

Dynasties, sects & groups

  • BDus
  • ASus
  • MSus
  • BDrs

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Article order

In this issue

Vol. 32
1–32Major progress linking modern science and Vedic scienceS. N. Bhavasar, R. W. Boyer33–36Two Peculiar Usages of the particle Kira/Kiri in ApabhramsaHerman Tieken37–42Symbolic and Mimetic fire-Altars: A new approach to the SulbasutrasRam Krishna BhattacharyaCurrent article43–48Authorship of the Dahod Inscription of Mahmud, V.S. 1545Satyavrat Verma49–53Some Aspects of SaivismRabindra Kumar Panda54–60The Immortal Stone-works of GujaratKamala Garg, Preeti Singh61–69Philosophical Concepts in Ancient Jaina LiteraturePooja Chandel70–82अर्जुनरावणीय (रावणार्जुनीय) की टीका व इसके रचयिताVijay Pal Shastri83–101काव्यप्रकाश-सद्गीतकार आचार्य माणिक्यचन्द्रसूरि के स्वरचित उदाहरणVijay Pal Shastri102–106अनेकान्तवाद : सिद्धान्त और व्यवहारDeepak Ranjan107–116पथ प्रदर्शक - महाराजा सूरजमलTanuja Singh117–124जैन दार्शनिक साहित्य में ज्ञान और प्रमाण के समन्वय का प्रश्नKanjibhai M. Patel125–133સંસ્કૃત સાહિત્યમાં ગીતVijay Pandya134–143“વિક્રમોર્વશીય”ના નાન્દીશ્લોકનું કાવ્યાર્થसૂचકત્વ : અ... (Atharvaveda 2.2 perspective)Sameerkumar K. Prajapati144–147ગુજરાતના ભૂમિજ દેવાલયો-એક વિવેચનાMaulik Hajarnis148–154સં. ૧૮૨૦ नो, છીપવાડનો ગૃહગૃહણકનો દસ્તાવેજRasila Kadia155–167સં. ૧૭૪૯નો હાજાપટેલની પોળના મકાતતનો દસ્તાવેજRasila Kadia168–175જર્મન विद्वत્‌ ત્રિપુટી (હર્મન યાકોબી, शૂબ્રिंग, આલ્સડ્રોફ)Jitendra B. Shah176–184National Seminar on The Philosophy in Gujarat

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