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Authorship of the Dahod Inscription of Mahmud, V.S. 1545

By Satyavrat Verma

Vol. 322009pp. 43–48English

Summary

This historical inquiry investigates who composed the Dahod inscription commissioned by Sultan Mahmud Begada in the Vikram Samvat year 1545 (1488 CE). The inscription, written in polished Sanskrit verse, records the Sultan’s military conquests and charitable works. The author analyses linguistic style, metre and vocabulary to determine whether the text was penned by a court poet, a Brahmin scholar or Mahmud’s own scribe. Comparisons with other contemporary inscriptions and literary conventions suggest that a learned Sanskrit poet likely authored the verses, possibly under royal patronage. The study emphasises the cultural significance of a Muslim ruler employing Sanskrit to memorialise his deeds, illustrating the syncretic intellectual milieu of fifteenth-century Gujarat. By examining historical records and stylistic clues, the article sheds light on interactions between Islamic and Sanskritic traditions and contributes to the understanding of epigraphical practices under the Gujarat Sultanate.

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Conclusion

The article concludes that while the precise identity of the Dahod inscription’s composer remains uncertain, stylistic evidence points to a professional Sanskrit poet commissioned by Sultan Mahmud. The inscription exemplifies the cultural cross-pollination of the period, where political authority and literary artistry transcended religious boundaries.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “A close appraisal of the contents and diction of the inscription vis-a-vis the RVM. unmistakably points to their common origin.”
  • “The similarities that the inscription bears with Udayaraja's poem are so striking that they could 1૧૦1 have sprung पृ out of nothing.”
  • “The close similarities between the RVM. and the Dahod inscription of Mahmud, detailed above, leave tittle doubt that the eprigraph was authored by the poet who had composed the RVM.”

Works cited in this article

  1. Epigraphica Indica, Vol 24, Part 4, 1938
  2. Ed. Gopal Narayan Bahura, Rajasthan Oriental Research Institute, Jaipur, 1956
  3. Ra'javinoda—maha'ka'vy_a (RVM.), op. cit., P. 6
  4. RVM,, 11. 24 - 25; Dahod Inscription, 19-21
  5. Ibid. 11. 10

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In this issue

Vol. 32
1–32Major progress linking modern science and Vedic scienceS. N. Bhavasar, R. W. Boyer33–36Two Peculiar Usages of the particle Kira/Kiri in ApabhramsaHerman Tieken37–42Symbolic and Mimetic fire-Altars: A new approach to the SulbasutrasRam Krishna Bhattacharya43–48Authorship of the Dahod Inscription of Mahmud, V.S. 1545Satyavrat VermaCurrent article49–53Some Aspects of SaivismRabindra Kumar Panda54–60The Immortal Stone-works of GujaratKamala Garg, Preeti Singh61–69Philosophical Concepts in Ancient Jaina LiteraturePooja Chandel70–82अर्जुनरावणीय (रावणार्जुनीय) की टीका व इसके रचयिताVijay Pal Shastri83–101काव्यप्रकाश-सद्गीतकार आचार्य माणिक्यचन्द्रसूरि के स्वरचित उदाहरणVijay Pal Shastri102–106अनेकान्तवाद : सिद्धान्त और व्यवहारDeepak Ranjan107–116पथ प्रदर्शक - महाराजा सूरजमलTanuja Singh117–124जैन दार्शनिक साहित्य में ज्ञान और प्रमाण के समन्वय का प्रश्नKanjibhai M. Patel125–133સંસ્કૃત સાહિત્યમાં ગીતVijay Pandya134–143“વિક્રમોર્વશીય”ના નાન્દીશ્લોકનું કાવ્યાર્થसૂचકત્વ : અ... (Atharvaveda 2.2 perspective)Sameerkumar K. Prajapati144–147ગુજરાતના ભૂમિજ દેવાલયો-એક વિવેચનાMaulik Hajarnis148–154સં. ૧૮૨૦ नो, છીપવાડનો ગૃહગૃહણકનો દસ્તાવેજRasila Kadia155–167સં. ૧૭૪૯નો હાજાપટેલની પોળના મકાતતનો દસ્તાવેજRasila Kadia168–175જર્મન विद्वत્‌ ત્રિપુટી (હર્મન યાકોબી, शૂબ્રिंग, આલ્સડ્રોફ)Jitendra B. Shah176–184National Seminar on The Philosophy in Gujarat

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