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The Religious Basis of the Forms of Indian Society, Indian Culture and English Influence, East & West

By Mano Mohan Ghosh

Vol. 25 · No. 2June - 1949pp. 144English
Sanskrit Literary CriticismEast West Cultural

Summary

The article reviews A. K. Coomaraswamy's 1946 booklet, "The Religious Basis of the Forms of Indian Society, Indian Culture and English Influence, East & West," published in New York. The subject of the booklet is the different problems connected with the contact of the East and the West. The main argument presented by the reviewer, Manomohan Ghosh, is that Coomaraswamy, as an able and close student of arts and allied aspects of oriental culture, was highly competent to discuss these subjects. The reviewer asserts that Coomaraswamy's vast range of literature references in his writings amply shows his mastery over the subject taken up for exposition. The evidence of Coomaraswamy's expertise is his deep knowledge of arts and oriental culture. The sources discussed, or rather the basis of Coomaraswamy's work, is the vast range of literature he referred to in his writings. The reviewer concludes that these essays will greatly contribute towards a mutual understanding of the East and the West, which was very badly needed at that critical period of the world’s history. The review emphasizes that Coomaraswamy's work is valuable for addressing the cultural and religious intersections between India and the West, particularly in the context of English influence. The review is part of a section titled "Reviews" and "Highways and Byways of Literary Criticism in Sanskrit," but the specific content focuses entirely on Coomaraswamy's booklet and its significance in fostering East-West understanding.

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Conclusion

The reviewed work by A. K. Coomaraswamy underscores the profound religious foundations that shape the structures of Indian society and culture. By examining the historical contact between the East and the West, particularly the impact of English influence, Coomaraswamy highlights the essential continuity of indigenous traditions amidst external pressures. The author’s deep mastery of oriental arts and allied literature allows for a nuanced exploration of how spiritual principles inform social forms. The text suggests that understanding these religious bases is vital for fostering a mutual comprehension between Eastern and Western civilizations. This analysis is especially significant during a critical historical juncture, as it advocates for a deeper appreciation of cultural identity. Ultimately, the work contributes to the broader discourse on preserving cultural integrity while navigating the complexities of global interaction, offering valuable insights into the enduring resilience of Indian society.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The present brochure being the work of a veteran Sanskritist like the late Kuppuswami Sastri will certainly draw attention of scholars to the importance of the subject and give inspiration ૦ such of them as will undertake a comprehensive enquiry in this line.”
  • “Being very able and close student of Arts and allied aspects of the oriental culture Coomaraswamy was highly competent to discuss these subjects.”
  • “It may "be unhcsitat.ingly said that these essays will greacly contribute towards a mutual understanding of the East and the West which 15 50 very badly needed at this critical period of the world’s history.”

Works cited in this article

  1. HIGHWAYS AND BYWAYS OF LITERARY CRITICISM IN SANSKRIT by S. Kuppuswami Sastri, Madras, 1945, D/C octv. 94 pp.
  2. THE RELIGIOUS BASIS OF THE FORMS OF INDIAN SOCIETY, INDIAN CULTURE AND ENGLISH INFLUENCE, EAST & WEST by A. K. Coomaraswamy, New York, 1946. Royal octv. 51 pp.

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