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Jainism in Andhra Pradesa

Vol. III · No. 4April 1969pp. 30–40English

Summary

The article on Andhra Pradesa traces the Jain sect known as the Sarasvatī gaṇaccha or Valātkāra gaṇa. This lineage originates with Bhadrabahu’s disciple Konda‑kunda (Padmanandi), who hailed from Konākondla near Guntakal. Konda‑kunda allegedly compelled a stone image of Sarasvatī to speak and wrote treatises such as Samayasāra and Pañcāstikāya. He and his successors propagated a militant style of debate that won converts across southern India. Later sections recount early Jaina establishments: the Dharmāmṛta narrates a migration of northern Jains to Bhattiprolu during the Īkṣvāku period, and terracotta fragments from Āryavatam near Daksharama confirm the existence of a Jaina settlement there. Several early Tirthankara icons discovered at Kakinada and Kuyyeru may also date to this period. The article lists successive lines of preceptors—Umasvāmi, Griddhrapiñcha, Balakapincha, Samantabhadra and others—who spread Jainism throughout the Deccan. These teachers formed numerous independent gaṇas named after leaders or regions, causing Jainism in Andhra to become localised and lacking a unified disciplinary code. Such localisation, along with competition from Hindu sects, eventually weakened Jainism in Andhra.

Summary reviewed by a volunteer editor.

Conclusion

Andhra Pradesh’s Jain tradition centred on Konda‑kunda’s Valātkāra gaṇa, whose preceptors spread the faith through scholarship and debate. Although early settlements and icons testify to a vibrant past, the proliferation of autonomous gaṇas and lack of a common discipline weakened Jainism’s cohesion in the region.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The gana of Bhadrabahu was also known as the Sarasvati gaccha or the Valatkara gana in honour of the miracle achieved by Konda-kundacarya, fourth descendant pupil of the line of Bhadrabahu.”
  • “It appears that, beyond their self-in-flicted or accepted discipline, there was no commonly agreed code of discipline to which all the Jainas of south India conformed, looked up to for correction or guidance.”
  • “The Jainas made a glorious contribution to the philosophy, grammar, architecture, sculpture, literature and painting of south India.”

Works cited in this article

  1. NHarisena's Brhat Kathakosa
  2. Basti-halli inscription
  3. Aptamimansa
  4. Jinendra Vyakarana

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