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Ourselves

Vol. III · No. 4April 1969pp. 3–4English

Summary

This editorial introduces the Mahavira Jayanti special issue of the Jain Journal. It explains that the issue aims to present a panoramic view of Jain heritage across India and notes that Jain archaeology and history remain under‑researched. The editor candidly admits that the compilation was constrained by time and resources, and that only a fraction of the available material could be included. He stresses that a comprehensive account of Jain heritage would occupy several volumes and calls for more scientific research to complement the Hindu‑centred view of Indian history. The editorial describes how Jain communities, now a minority, once flourished throughout India. It laments that many Jain monuments have been vandalised, converted to Hindu worship or reduced to ruins, and that Jain icons are often mistaken for Hindu deities. Despite destruction and neglect, the editorial asserts that numerous sculptures, mounds, caves and temples across Bharatavarsha still bear witness to Jainism’s ancient spread. It urges scholars to examine these traces and reconstruct an accurate and unbiased history of Jainism, emphasising that collaboration and understanding between Jain and Hindu cultures once existed. This introduction sets the tone for the magazine’s subsequent articles, which survey Jainism’s regional heritage and encourage further study.

Summary reviewed by a volunteer editor.

Conclusion

The editorial emphasises that this special issue is a modest attempt to showcase Indias Jain heritage. It calls on scholars to undertake more rigorous research to preserve the scattered evidence of Jainism and to present a balanced history alongside mainstream narratives.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Apparently, this has been a hard and strenuous enterprise for which the editor claims no perfection.”
  • “It is thus not rare to find the Jaina icons passing for the Hindu, a Jaina tirthankara on the Mohenjo-daro seal passing for the Hindu god Pasupati (Lord of the Beasts), or an image of Parsva with a serpent hood being worshipped as the goddess Manasa.”
  • “It is from the dust that these evidences of stone speak today.”

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