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A Versified Jaina Epitome of Kadambari

By Satyavrat Verma

Vol. 20 · No. 1July - 1985pp. 24–27English, Sanskrit

Summary

The article surveys a Jaina adaptation of Bāṇabhaṭṭa’s celebrated Sanskrit novel *Kadambari* in which the prose romance is condensed into a versified abridgement known as the *Kadambari‑Darpana*. The original *Kadambari* is notorious for its extremely complex structure: it presents a love story through multiple nested narratives and reincarnations, making it one of the most difficult Sanskrit novels to summarise. The Jaina author Maṇḍana (or another poet) reshapes this labyrinthine tale into a shorter poem, selecting episodes that illustrate Jain ethical ideals and omitting scenes incompatible with them. The article outlines how the epitome retains the core plot – the love between Candrāpīḍa and Mahāśvetā across successive births – but introduces Jaina motifs such as non‑violence, renunciation and the veneration of Jinas. It analyses the metre and style of the verses and notes their fidelity to Bāṇa’s imagery. The poet often substitutes Jaina technical terms for Hindu mythological references and highlights characters’ adherence to vows. The article compares passages from the original and the epitome to show how the adaptor skilfully compresses dialogues while preserving emotional intensity. It also discusses the reception of the *Kadambari‑Darpana* among Jain scholars, who value it as a bridge between mainstream Sanskrit literature and Jaina didacticism. Ultimately, the article illustrates how Jain intellectuals engaged creatively with non‑Jain literary traditions, producing works that are both aesthetically pleasing and ethically instructive.

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Conclusion

By examining the *Kadambari‑Darpana*, the article demonstrates how Jaina authors appropriated and transformed a complex Sanskrit romance into a concise poem aligned with Jain values. The epitome highlights virtues like non‑violence and renunciation while retaining the lyrical beauty of Bāṇa’s narrative, illustrating the adaptability of Jain literature and its interaction with broader Sanskrit traditions.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Because of its exquisitive theme, which in its sweep, spans three successive births, majestic, though somewhat cumbersome style, and serene language marked by telling precision, combined with a deep insight into human psychology, the Kadambari' of Bana has over years, so enthralled its wide readership that in comparison to it all else tended to sink into sterility (banocchistam jagatsarvam).”
  • “This anxiety to bring Bana's magnum opus within the reach of lay readership, has resulted in the emergence of over a dozen compendiums and/or adaptations of Kadambari, both in prose and verse, of uneven worth.”
  • “An epitome to have any worth should represent faithfully the soul of the original without lowering its guard against such inroads as tend to impair its purpose.”

Works cited in this article

  1. M. R. Kale (ed), Kadambari with auto-commentary Balabodhini, Delhi, 1968
  2. The New Catalogus Catalogorum, Madras University, Vol. III, p. 388
  3. Mandanagranthasamgraha, Sri Hemcandra Granthavali, Nos. VII-XI, 1918
  4. Kadambari, op. cit., pp. 282-88
  5. Kadambari, op. cit., p. 193

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