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Translation of The Deva, Sastra and Guru Puja

By Champat Rai Jain

Vol. 25 · No. 4, 5, 6April to June - 1929pp. 126–133English

Summary

The text discusses the origins and sources of Pravaras (lineages), Gotras (clans), and Sakhas (groups) in Jain tradition, noting that many names derive from Jain literature like the *Sahasranama* and *Sthavishtha Sata*, while others remain untraced. It highlights the connection between these names and Jain ritualistic texts and Prathamanuyoga, though the historical association of Anga works with specific families remains unclear. The second section presents a Jain prayer (*Deva, Sastra, and Guru Puja*), emphasizing reverence for the Arhant, Siddha, Sadhu, and the Dharma. It details the five-fold obeisance mantram, its spiritual benefits, and the supreme status of the word "Arhan." The prayer includes salutations to Tirthankaras like Risabha Deva, Ajitnath, and others, invoking peace for their sake. It describes rituals involving offerings like water, sandalwood, and flowers, and highlights the spiritual qualities of enlightened saints, such as omniscience and special cognitive powers (*Kosthastha-dhanyopama, ekabija, Sambhinna-sansroti*). The text underscores the theological and ritualistic significance of these practices in Jain tradition.

Summary reviewed by a volunteer editor.

Conclusion

This analysis reveals critical connections between Jain genealogical systems (Gotras, Pravaras, Sakhas) and ritualistic literature, particularly Prathamanuyoga. While sources for many names remain untraced, the study highlights their presence in key Jain texts like Jinasena’s Sahasranama and Sthavishtha Sata, suggesting a deliberate link between lineage terminology and devotional practices. The findings underscore the interplay between doctrinal frameworks and communal identity in Jainism, though the historical role of Anga works in shaping these systems remains unclear. The research contributes to understanding the structured yet fluid nature of Jain religious nomenclature and its embedding within both theological and ritual contexts.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “All the seventyone Pravaras have been taken from the twelve verses of the Ist Sata and two verses of the 2nd Sata of the Sahasranama composed by Jinasena”
  • “There are but four auspicious objects: the Arhant is auspicious | the Siddha is auspicious | the Sadhu is auspicious | the Dharma propounded by the Omniscient Arhant is auspicious.”
  • “O Thou Arhant! Who art the Greatest among the Great Ones of the world, | worship Thee, by offering, with one-pointed mind, into the fire of Full Knowledge, all the pure articles, which have been appointed for this purpose!”

Works cited in this article

  1. Sahasranama composed by Jinasena
  2. Maha-purana of Jinasena
  3. Prathamanuyoga
  4. Ritualistic literature

Discussed in this article

People

  • Jinasena 38
  • Asadhara
  • Sri Ajitnath
  • Sri Sambhavanathji
  • Sri Abhinandannathji
  • Sri Sumatinathji
  • Sri Padmaprabhaji
  • Sri Chandra Prabhuji
  • Sri Puspadantaji
  • Sri Sitalnathiji
  • Sri Sreyansanathiji

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