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Ramayana Characters In The Thai Mould

By Satyavrat Verma

Vol. 332010pp. 1–10English
Cultural Transformation

Summary

Satya Vrat Varma’s article, "Ramayana Characters In The Thai Mould," examines the profound transformation of the Ramayana epic as it is adapted into the Thai classic, the Ramakien. Varma argues that the Thais have assimilated the epic into their social fabric, changing the very genius of the story almost beyond recognition. He supports this by analyzing the characters as depicted in the Sanskrit counterpart to the Ramakien, Dr. Satya Vrat Shastri’s *Sriramakirtimahakavyam* (RKM.), which captures the main episodes of the Thai classic in twenty-five cantos. Varma’s analysis reveals that the Thai milieu has recast the heroes, reducing them to lesser figures shorn of the idealism that inspires millions in India. In the Thai version, Hanuman emerges as the most colourful and phenomenal figure, overshadowing everyone else, including Rama. Rama is portrayed with alien components, suffering from infirmities and acting as a small-minded, scheming, and unpredictable person with inconsistent conduct. His divinity is indistinguishable from that of a common man, and his behavior towards Sita is described as reprehensible, making him appear suspicious and cruel. Sita, born as Ravana’s daughter, is depicted as a gullible and nervous woman, projecting her as a champion of women's liberation. She behaves aggressively towards Rama, berating him as a cruel and suspicious person. Hanuman, however, is presented as a multi-faceted character—a phenomenally powerful warrior, a lover, a fond father, and an astute tactician. Ravana is shown as a mere shadow of his real self, struggling to avoid direct confrontation with Rama due to latent diffidence. Finally, Vibhisana is the sole character who rises in stature, representing a unique fusion of friend, guide, and philosopher, and playing a pivotal role in the epic's events.

AI-generated summary, automatically checked against the article text.

Conclusion

The Thai adaptation of the Ramayana, as analyzed through Dr. Satya Vrat Shastri’s *Sriramakirtimahakavyam*, demonstrates a profound cultural transformation of the epic. While the original Indian text serves as a foundational moral and spiritual guide, the Thai version, *Ramakien*, recontextualizes its characters to fit local traditions and folklore. This study reveals that Rama and Sita lose their divine idealism, depicted instead as flawed, suspicious, and scheming individuals. Conversely, Hanuman emerges as the most vibrant and resourceful hero, while Ravana is diminished into a figure of latent diffidence. Notably, Vibhisana rises in stature, acting as a crucial strategist and guide. These alterations highlight the epic’s universal appeal but also underscore how regional milieus can fundamentally alter a narrative’s core ethical dimensions.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The alacrity with which the Thais have assimilated the epic into their social fabric is as heartwarming as it is surprising.”
  • “They have not just adopted it smugly. With their religion, tradition and folklore forming an apt backdrop, they have changed the very genius of the story almost beyond recognition.”
  • “The Thai classic Ramakien thus represents an independent version of the Rama-story.”

Works cited in this article

  1. Sriramakirtimahakavyam (RKM.)

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In this issue

Vol. 33
1–10Ramayana Characters In The Thai MouldSatyavrat VermaCurrent article11–23Four Minor Royal DynastiesHampa Nagarajaiah24–33The Qualifications of a Student According to NiruktamParamba Shri Yogamaya34–39Environmental Pollution & Ethical PracticesSujata Roy Abhijat40–50Prasada as cosmosM. A. Dhaky49–60संस्कृतसाहित्ये जलविज्ञानश्री:Sushma R. Kulshreshtha61–86जैनधर्म और श्रुतदेवी सरस्वतीSagarmal Jain87–104निम्बार्क के द्वैताद्वैत सिद्धान्त में कर्म की अवधारणाRamanath Pandey105–117यास्क एवम् पाणिनि – काल तथा विषयवस्तु का अन्तरालVasantkumar M. Bhatt118–123प्राकृत भाषा : जितनी सहज उतनी सरलJaipal Vidyalankar124–137जयपुर नरेशों का संगीत प्रेमKamala Garg, Rajni Pandey138–153વસુદેવહિંડી : બૃહત्कથાનું જૈન રૂપાંતરKanjibhai M. Patel154–170વ્યાકરણશાસ્ત્રની અદ્દેત વેદાત્તી દાર્શનિક ભૂમિકા (ભર્તૃહરિના વાક્યપદીયના/ સંદર્ભમાં)Vijay Pandya171–182ત્રીજી सहस्राब્દીમાં भारतीय सभ्यता का पुरुषार्थ : रक्षण, पुनर्नवीनीकरण और विकासDilip Charan183–195હાજાપટેલની પોળમાં આવેલ બલાજના પાડામાંના એક જ ઘરના બે દસ્તावેજોRasila Kadia196–203પુણ્યાવિજયજી : સંશોધન-સંપादन ક્ષેત્રે પ્રભાવશાળી...Abhay Doshi

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