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The “Webbed Fingers” of Buddha

By Jitendra Nath Banerjee

Vol. 7 · No. 3September - 1931pp. 654–656English

Summary

This brief note examines a curious iconographic feature attributed to the Buddha: the webbing between his fingers described in certain textual sources. Drawing on passages from the Lalitavistara and the Mahāvastu, the author explains that the Buddha’s fingers are said to be joined by a fine membrane (jala), symbolising unity and completeness. The note reviews earlier scholarship on the motif and argues that sculptors rarely represented webbed fingers literally in early art because the symbolism was metaphorical rather than anatomical. The author suggests that later misunderstandings led to literal depictions and clarifies that the webbing should be understood as a poetic device emphasising the Buddha’s superhuman perfection.

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Conclusion

The note sheds light on an obscure aspect of Buddhist iconography. By contextualising textual descriptions, it resolves confusion over whether the Buddha’s fingers were physically webbed and reinforces the importance of interpreting artistic motifs through doctrinal symbolism.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “In explaining the word Jilagrathitiniguli, the force of the word grathita should not be overlooked and the whole expression should be interpreted in relation to the poetical comparison of the boy's fingers with the petals of a parsially opened lotus-flower 10 the early dawn.”
  • “The Jilalakgana of the toes can certainly not he explained था a manner in which Stutterheim interprets the same in the case of the fingers,”

Works cited in this article

  1. Acta Orientalia (૪૦. VII, 2321.)
  2. Makipadina
  3. Lakkhamasuliantas
  4. Lalita vistara
  5. Makivastu

Discussed in this article

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Texts & works

  • Adkimiina-éakuntala
  • Pwrusalakyana in the Sdmudra
  • Kilidisa

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Vol. 7 · No. 3

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