Skip to content
Browse articles

अपभ्रंश के संवेदनशील महाकवि पुष्पदंत

By डां० देवेन्रकुमार શાસ્ત્રी

Vol. 02 · No. 01April 1985pp. 17–24Hindi

Summary

The text discusses the Apabhramsha poet Pushpadanta, highlighting his skill in depicting human emotions and his use of nature as a backdrop for human consciousness. It describes him as a master of imagery and symbolism, and a successful painter of beauty within a diverse gallery of colors. The poet is presented as a bridge between northern and southern India, giving a multi-dimensional form to classical tradition. His works, including the *Mahapurana*, *Jasaharachariu*, and *Nayakumarachariu*, are noted for their portrayal of nature as a reflection of human feelings. The text contrasts Pushpadanta’s approach with that of Sanskrit poets like Kalidasa, noting that while Sanskrit poetry often shows nature in favorable conditions, Pushpadanta also depicts it in unfavorable situations. An example is given from the *Mahapurana* where Ravana, in the form of Rama, approaches Sita with a fawn, and the poet uses nature to foreshadow separation. The text also describes how nature is used to express outrage, as when Ravana attempts to abduct Sita, with trees, bees, parrots, cuckoos, and swans reacting to the injustice. The *Mahapurana* is described as a mirror of nature, where characters and nature interact seamlessly. The text further explains the concept of imagery in poetry, distinguishing it from allegory, and notes that Pushpadanta’s imagery, while classical, also shows innovation. It concludes by stating that the poet’s work is rich with emotional and natural descriptions, making him a significant figure in Apabhramsha literature.

AI-assisted summary, not yet checked. Consult the original PDF before citing.

Conclusion

Mahakavi Pushpadant emerges as a masterful poet who bridges northern and southern Indian literary traditions, creating a unique synthesis of classical form and profound human sensitivity. His works, particularly the Mahapurana, demonstrate how nature serves not merely as backdrop but as an active participant in human emotional drama. Through sophisticated imagery and symbolism, he transforms natural elements into vehicles for expressing complex human sentiments—from the poignant comparison of Sita's youth to forest beauty to the dramatic personification of trees and birds protesting her abduction. This technique elevates Apabhramsha literature beyond mere classical convention, establishing Pushpadant as a pivotal figure whose innovative blending of nature and human consciousness created a lasting template for emotional expression in Indian poetry. His legacy lies in demonstrating that true literary greatness emerges when technical mastery serves genuine human feeling.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “मानवीय संवेदनाभ्रों के कुशल चित्रकार, बिम्ब-विधान में श्रनुपम, प्रतीक-संयोजना મેં सफल, प्रकृति की पृष्ठभूमि में मानवीय चेतना का सजीव वंन कंरने में रससिद्ध कवि”

    A skilled painter of human emotions, unparalleled in imagery, successful in symbol combination, a poet accomplished in creating a lively depiction of human consciousness in the background of nature

  • “.महाकवि पुष्पदंत उत्तर तथा दक्षिण भारत જે मध्य देशी भाषा का सेतु निर्माण कर शास्त्रीय परम्परा को बहुश्मायामी हप प्रदान करनेवाले कलाकार हुए”

    The great poet Pushpadanta was an artist who built a bridge of the regional language between North and South India and provided a multi-faceted form to the classical tradition.

Works cited in this article

  1. महापुराण
  2. जसहरचरिउ
  3. णायकुमारचरिड
  4. किराताजुं नीय
  5. मदनपराजय

Discussed in this article

AI guide

Discuss this record

Ask about the article, its topics, issue context, selected passages, or reading strategy.

Start with the record

I can unpack the summary, turn it into study questions, explain a selected passage, or compare it with the other articles in this issue.

Article order

In this issue

Vol. 02 · No. 01
1–3प्रास्ताविक4–5प्रकाशकीयकपूरचन्द पाटनी6–8आरम्भिक9–15महाकवि पुष्पदन्त : व्यक्तित्व और कर्तृत्वडां०° आदित्य प्रचण्डिया16चन्द्रप्रभ स्तुतिचन्द्रप्रभ, महाकवि पुष्पदन्त17–24अपभ्रंश के संवेदनशील महाकवि पुष्पदंतडां० देवेन्रकुमार શાસ્ત્રीCurrent article25–32महाकवि पुष्पदंत और उनका काव्यडं° योगेन्नाथ शर्मा33–42पुष्पदंत की भाषाडॉ. कैलाशचन्द्र भाटिया43–49महापुराण की काव्यभाषाडॉ. श्रीरंजन सूरिदेव50शब्द प्रणामपण्डित विष्णुकान्त शुक्ल51–63महापुराण के रामायण खण्ड की बिम्ब-योजना64–64लोभी जीव65–72महाकवि पुष्पदंत द्वारा रचित महापुराण की बिम्ब-योजनाडॉ० गदाघरसिह73–78पुष्पदंत और सुरदास (वात्सल्य)डॉ. प्रेमसागर जैन79–89जैन रामकथाओं के परिप्रेक्ष्य पुष्पदन्त की रामकथासुशो प्रीति जैन90–90जीवन की क्षणभंगुरता91–96महाकवि पुष्पदंत का दार्शनिक ऊहापोहडा० भागचद जन “भास्कर97–100महाकवि पुष्पदंत के आदिपुराण की एक सचित्र पाण्डुलिपिराँ कस्तू रचन्द कासलीवाल101–106महाकवि पुष्पदंत की रचनाओं की राजस्थान में लोकप्रियतापं ध्न्पकम्द न्यायतीयथ107–108आणदाडॉ. देवेन्द्रकुमार शास्त्री109–111भूमिकाडॉ. देवेन्द्रकुमार शास्त्री112–121आणंदा129–134जैनविद्या संस्थान, श्रीमहावीरजी135–140जैनविद्या का स्वयंभू विशेषांक : विद्वानों की दृष्टि में141–142साहित्य-समीक्षा

Original PDF

Inline viewer

Checking source PDF

The viewer will load here if the archive file is reachable.