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जैन रामकथाओं के परिप्रेक्ष्य पुष्पदन्त की रामकथा

By सुशो प्रीति जैन

Vol. 02 · No. 01April 1985pp. 79–89Hindi
Jain Literary Tradition

Summary

The text examines the Ramayana narrative within Jain literature, focusing on the versions by Acharya Gunabhadra and Mahakavi Pushpadanta. It notes that the Ramayana is a pervasive and beloved theme in Indian literature, appearing across languages and genres, including Jain, Vedic, and Buddhist traditions. In Jain tradition, Rama is revered as the eighth Vasudeva among the sixty-three Shalakapurushas, and his story is detailed in major Jain texts like the Mahapuranas. The earliest detailed Jain Ramayana is Vimalasuri's Prakrit "Paumachariu" (1st century CE), followed by Ravishena's Sanskrit "Padumacharita" (7th century) and Svayambhu's Apabhramsha "Paumachariu" (8th century). Two main narrative streams exist: one by Vimalasuri, Ravishena, and Svayambhu, and another by Gunabhadra and Pushpadanta. Gunabhadra's "Uttarapurana" begins Rama's story three births prior, detailing his past life as Prince Chandrachula, who, with his friend Vijaya, was exiled for misconduct. They later took initiation and were reborn as Rama and Lakshmana to King Dasharatha. The text recounts Sita's origin as the abandoned daughter of Ravana and Mandodari, her marriage to Rama, her abduction by Ravana, and the subsequent war where Lakshmana kills Ravana. Rama eventually renounces the world, attains kevalajnana, and achieves liberation. Pushpadanta's "Mahapurana" follows a similar narrative but differs in details, such as describing Dasharatha having four queens instead of three.

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Conclusion

The analysis of Pushpadanta's Ramakatha within the Jain tradition reveals significant implications for understanding the diversity of Ram narratives in Indian literature. By tracing Rama's three prior births and his eventual path to renunciation and liberation, this version emphasizes karmic consequences and spiritual evolution over heroic conquest. The inclusion of Sita as Ravana's daughter, born from a curse, reframes her abduction as destined retribution rather than mere villainy. This Jain perspective prioritizes ethical conduct and detachment, culminating in Rama's diksha and attainment of kevalajñana. The outcome underscores how Jain adaptations transform the Ramayana into a vehicle for doctrinal teachings on non-violence, karma, and the ultimate goal of moksha, offering a distinct counterpoint to the more martial and devotional interpretations found in other traditions.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “। जैनरामकथा दो धारात्रों में उपलब्ध है ।* एक धारा मे विमलसूरि, रविषेण व स्वयंभू द्वारा मान्य શ્રોર दूसरी धारा में गुणाभद्र व पुष्पदन्त द्वारा मान्य कथाएं हैं”
  • “गुणाभद्र की रामकथा की श्रपेक्षा रविषेण की रामकथा अधिक प्रचलित है । दोनों धाराशं में पर्याप्त वेषम्य है””

Works cited in this article

  1. रामकथा - कामिल बुल्के, पृष्ठ 65, 5y, 57

Discussed in this article

Places

  • मिथिला
  • बनारस
  • अयोध्या

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In this issue

Vol. 02 · No. 01
1–3प्रास्ताविक4–5प्रकाशकीयकपूरचन्द पाटनी6–8आरम्भिक9–15महाकवि पुष्पदन्त : व्यक्तित्व और कर्तृत्वडां०° आदित्य प्रचण्डिया16चन्द्रप्रभ स्तुतिचन्द्रप्रभ, महाकवि पुष्पदन्त17–24अपभ्रंश के संवेदनशील महाकवि पुष्पदंतडां० देवेन्रकुमार શાસ્ત્રी25–32महाकवि पुष्पदंत और उनका काव्यडं° योगेन्नाथ शर्मा33–42पुष्पदंत की भाषाडॉ. कैलाशचन्द्र भाटिया43–49महापुराण की काव्यभाषाडॉ. श्रीरंजन सूरिदेव50शब्द प्रणामपण्डित विष्णुकान्त शुक्ल51–63महापुराण के रामायण खण्ड की बिम्ब-योजना64–64लोभी जीव65–72महाकवि पुष्पदंत द्वारा रचित महापुराण की बिम्ब-योजनाडॉ० गदाघरसिह73–78पुष्पदंत और सुरदास (वात्सल्य)डॉ. प्रेमसागर जैन79–89जैन रामकथाओं के परिप्रेक्ष्य पुष्पदन्त की रामकथासुशो प्रीति जैनCurrent article90–90जीवन की क्षणभंगुरता91–96महाकवि पुष्पदंत का दार्शनिक ऊहापोहडा० भागचद जन “भास्कर97–100महाकवि पुष्पदंत के आदिपुराण की एक सचित्र पाण्डुलिपिराँ कस्तू रचन्द कासलीवाल101–106महाकवि पुष्पदंत की रचनाओं की राजस्थान में लोकप्रियतापं ध्न्पकम्द न्यायतीयथ107–108आणदाडॉ. देवेन्द्रकुमार शास्त्री109–111भूमिकाडॉ. देवेन्द्रकुमार शास्त्री112–121आणंदा129–134जैनविद्या संस्थान, श्रीमहावीरजी135–140जैनविद्या का स्वयंभू विशेषांक : विद्वानों की दृष्टि में141–142साहित्य-समीक्षा

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